I was surprised how many positive reviews I found online about this film. Not because it isn't good mind you; on the contrary, it is very good-- in fact it may almost be too good for a "B" crime flick of this type. Usually a prison drama that clocks in at 60 minutes about a man who has been unjustly framed is no frills. It is often a poverty row product made with a low budget. But here, it's an MGM production with handsome production values and a lot more attention to detail than we might expect to see.
Walter Pidgeon is cast as a ruthless attorney whose tough views on crime come back to haunt him when he's framed by a gangster and sent to the clink for something he didn't do. When he gets there, he is befriended by a doctor (Paul Kelly, who had a real-life prison term) and must deal with other inmates who have it out for him. Many of the situations are not too original, and the characters are glorified stereotypes at best, but Pidgeon and most of the cast do a credible job with the material. Meanwhile, Rita Johnson plays a female inmate with her own simultaneous false conviction; and chances are, she will end up as Pidgeon's wife before the final fadeout. She does a nice job portraying the anguish that her character experiences.
What I like about 6,000 ENEMIES is that it gives the lead actor something tougher to play than MGM usually assigned him. Normally, Walter Pidgeon played Greer Garson's suave husband, or he had an honorable role in support of other stars in lavish studio productions. But in this film, he gets a chance to be a bit less than debonair and a lot more rough around the edges. I thought he was very much up to the challenge, especially in a boxing match where his character is pummeled by an opponent (Nat Pendleton). In a way, it's a shame Pidgeon didn't get more of these parts at MGM or other studios. Another thing I like about 6,000 ENEMIES is the way the editor advances the story by literally speeding up the film during some scenes. Also, chunks of material have been spliced together as montages that quickly and efficiently show us key plot points and get us on to the next piece of business. As a result, we have an action-packed film and something that seems to imprint its own style as it goes.
Walter Pidgeon is cast as a ruthless attorney whose tough views on crime come back to haunt him when he's framed by a gangster and sent to the clink for something he didn't do. When he gets there, he is befriended by a doctor (Paul Kelly, who had a real-life prison term) and must deal with other inmates who have it out for him. Many of the situations are not too original, and the characters are glorified stereotypes at best, but Pidgeon and most of the cast do a credible job with the material. Meanwhile, Rita Johnson plays a female inmate with her own simultaneous false conviction; and chances are, she will end up as Pidgeon's wife before the final fadeout. She does a nice job portraying the anguish that her character experiences.
What I like about 6,000 ENEMIES is that it gives the lead actor something tougher to play than MGM usually assigned him. Normally, Walter Pidgeon played Greer Garson's suave husband, or he had an honorable role in support of other stars in lavish studio productions. But in this film, he gets a chance to be a bit less than debonair and a lot more rough around the edges. I thought he was very much up to the challenge, especially in a boxing match where his character is pummeled by an opponent (Nat Pendleton). In a way, it's a shame Pidgeon didn't get more of these parts at MGM or other studios. Another thing I like about 6,000 ENEMIES is the way the editor advances the story by literally speeding up the film during some scenes. Also, chunks of material have been spliced together as montages that quickly and efficiently show us key plot points and get us on to the next piece of business. As a result, we have an action-packed film and something that seems to imprint its own style as it goes.