6/10
Shirley's alright, but this is about classic moments, not great cinema.
4 September 2016
Warning: Spoilers
Shirley reached the peak of her career with this post civil war drama that has qualities about it both pleasing and disturbing. With servants (no longer slaves) who can't spell and seemingly addicted to the old way of life, this view of the old south is overloaded with charming, if stubborn white folk and mammy and pappy colored folk who love their white employers who probably once "owned" them. Shirley is there to charm the viewer, but it is obvious that her performance is one that suffers from too much direction rather than creating a fleshed out character.

Old southern colonel Lionel Barrymore has disowned daughter Evelyn Venable for marrying a northern soldier. They return years later with young daughter Shirley who quickly charms the mustache off of grumpy grandpa, dances up the stairs with butler Bill Robinson and goes to a baptism with lovable maid Hattie McDaniel and listens to classic negro spirituals. Will a reconciliation between Barrymore and Venables be facilitated by Shirley? Dumb question, easy answer.

This song of the south is absolute fable and only enjoyable as long as you view it from that perspective. Shirley has some strong moments, but it is obvious that she is directed to scowl and told when to flash the dimples. I found her being made an honorary colonel quite a cloying moment, but the magic hits when she teams up with Robinson in dance. Audiences of the 1930's may have been fooled, but the artificiality of most of her performances is very clear today.
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