Pink is not a film and this is not a review..
A dialogue from Rang De Basanti – "Koi Bi desh perfect nevi ho ta hai..use perfect banana parta hai" – and for that one needs to change the various aspects of societal mindset. #Pink is not just a film but a statement against this prejudiced, hypocritical feudal societal fabric that can't handle modern-thinking women.
Two major point raised without being didactic:- 1.Stop being judgmental. A modern working woman who wears short (I would say more comfortable in this humid climate) clothes or one who parties & drinks or one who is friendly doesn't mean SHE IS AVAILABLE. SO STOP LABELING HER..
2.Most vital point – NO MEANS NO..She can be your friend, GF, sex-worker, even your wife : NO means No. I am sure even most educated men won't get this point but I hope they does..
Honestly Shoojit Sircar (who is synonymous with quality films Vicky Donor Madras Cafe Piku) & debutante Dir Aniruddha Roy Chowdhury should be applauded for The Film Pink as it has the power to change mindset. Hope Pink is watched at a large scale, start a debate and inspire young adults. Going by the reactions all over I guess the movement has just began, that is Power of Great Cinema.
Kudos to Amitabh Bachchan to be part of such a topical film demanding respect.His acting and choice of films are getting better and better with old-age..This issue was necessary to be told and his name would increase the audience base. Tapsee Pannu and Kirti Kulhari are a revelation. Their pain reflects the voice of majority of Indian women who have to face ordeals even in the busiest of streets in our country. Angad Bedi is so authentic that you will hate him. Debutante Andrea Tariang is effortless. And can Piyush Mishra & Dhritiman Chatterjee go wrong in any role? Pink is indeed a taut social thriller which needs your attention.It is taut and gritty and it establishes its plot-points effectively keeping the tension intact. And while doing so it makes evident points against the society. The court-room sequences in the 2nd half is tremendously superb. As a cinema it is Talvar of 2016 albeit with a straight plot-line.
Btw, Do watch the end credit..
A dialogue from Rang De Basanti – "Koi Bi desh perfect nevi ho ta hai..use perfect banana parta hai" – and for that one needs to change the various aspects of societal mindset. #Pink is not just a film but a statement against this prejudiced, hypocritical feudal societal fabric that can't handle modern-thinking women.
Two major point raised without being didactic:- 1.Stop being judgmental. A modern working woman who wears short (I would say more comfortable in this humid climate) clothes or one who parties & drinks or one who is friendly doesn't mean SHE IS AVAILABLE. SO STOP LABELING HER..
2.Most vital point – NO MEANS NO..She can be your friend, GF, sex-worker, even your wife : NO means No. I am sure even most educated men won't get this point but I hope they does..
Honestly Shoojit Sircar (who is synonymous with quality films Vicky Donor Madras Cafe Piku) & debutante Dir Aniruddha Roy Chowdhury should be applauded for The Film Pink as it has the power to change mindset. Hope Pink is watched at a large scale, start a debate and inspire young adults. Going by the reactions all over I guess the movement has just began, that is Power of Great Cinema.
Kudos to Amitabh Bachchan to be part of such a topical film demanding respect.His acting and choice of films are getting better and better with old-age..This issue was necessary to be told and his name would increase the audience base. Tapsee Pannu and Kirti Kulhari are a revelation. Their pain reflects the voice of majority of Indian women who have to face ordeals even in the busiest of streets in our country. Angad Bedi is so authentic that you will hate him. Debutante Andrea Tariang is effortless. And can Piyush Mishra & Dhritiman Chatterjee go wrong in any role? Pink is indeed a taut social thriller which needs your attention.It is taut and gritty and it establishes its plot-points effectively keeping the tension intact. And while doing so it makes evident points against the society. The court-room sequences in the 2nd half is tremendously superb. As a cinema it is Talvar of 2016 albeit with a straight plot-line.
Btw, Do watch the end credit..