... then start here, where they were introduced to each other and fell in love. You can actually feel that love in their performances. Tracy plays a sportswriter, Sam Craig, not a particularly well traveled man or a deep thinker. Hepburn plays Tess Harding, an international affairs correspondent, and with the world at war there is much to correspond about. Thus she runs around at a dizzying pace and I lost count of how many languages Tess spoke. Her mother died when she was an infant, and she grew up globetrotting with her father, and only returned to America as an adult.
Tess and Sam meet when they have a war of words in their articles over baseball, and when the editor tells them to make up, that is when they begin seeing each other. Now Tess doesn't hide how busy she is, or how full her apartment often is of people from all over the world that she knows, yet Sam marries her and I get the feeling that he is disappointed that nothing changes. Their wedding being practically a drive through affair should have given him a hint.
So naturally the marriage eventually fails when Sam walks out. That is Tess' first surprise. Her second surprise is when the woman she has patterned herself after for years and years, Ellen Whitcomb (Fay Bainter), makes a totally unexpected, but not unwelcome, move. How does this all work out? Watch and find out.
I'm not sure this film is ultimately sexist or feminist. It does look like the script was trying to paint Hepburn's character as an ice queen, and she just acted her way out of being portrayed in that fashion. She ultimately plays it as a person who, if she takes up a task, goes all the way with it, right down to the humorous scene where she tries to make breakfast and acts like every utensil in the kitchen is from another planet, yet she persists in the face of hilarious adversity and inexperience. However, if you turn the roles of Sam and Tess around, you could say this was a feminist film, maybe giving men a dose of their own 1942 medicine when they expected women to just live with whatever work schedule the man had, even if they sat home alone at nights.
I'd highly recommend this as one of the great romantic films, and they didn't make many of those during WWII outside of Casablanca.
Tess and Sam meet when they have a war of words in their articles over baseball, and when the editor tells them to make up, that is when they begin seeing each other. Now Tess doesn't hide how busy she is, or how full her apartment often is of people from all over the world that she knows, yet Sam marries her and I get the feeling that he is disappointed that nothing changes. Their wedding being practically a drive through affair should have given him a hint.
So naturally the marriage eventually fails when Sam walks out. That is Tess' first surprise. Her second surprise is when the woman she has patterned herself after for years and years, Ellen Whitcomb (Fay Bainter), makes a totally unexpected, but not unwelcome, move. How does this all work out? Watch and find out.
I'm not sure this film is ultimately sexist or feminist. It does look like the script was trying to paint Hepburn's character as an ice queen, and she just acted her way out of being portrayed in that fashion. She ultimately plays it as a person who, if she takes up a task, goes all the way with it, right down to the humorous scene where she tries to make breakfast and acts like every utensil in the kitchen is from another planet, yet she persists in the face of hilarious adversity and inexperience. However, if you turn the roles of Sam and Tess around, you could say this was a feminist film, maybe giving men a dose of their own 1942 medicine when they expected women to just live with whatever work schedule the man had, even if they sat home alone at nights.
I'd highly recommend this as one of the great romantic films, and they didn't make many of those during WWII outside of Casablanca.