A man crawls out of the Hudson River as another man contemplates jumping in. Seeing the face of the man crawling up, the suicidal man is inspired for his greatest work of art. Meanwhile, rumors of a serial killer named "the creeper" continue to travel as a prostitute is found with her spine snapped. A friendship of sorts grows between the two men. The artist is Martin Kosleck whose work has been panned by a snooty critic. The other is Rondo Hatton, a simple man of hideous looks and brutal strength who is quickly revealed to be "the creeper", and a tool of the vindictive Kosleck.
One of the best later B Universal horror films, this is extremely well plotted, suspenseful and features a way above average script. Kosleck and Hatton are sort of the poor man's Bela Lugosi and Boris Karloff, with Kosleck getting more and more insane, and the pathetic Hatton sort of sympathetic for the child like hurt he feels for society's rejection for his "ugliness". Robert Lowery and Virginia Grey are feisty as an artist and model who are suspects in the critic's murder; Alan Napier, aka " Alfred the Butler" in the "Batman" series is the nasty critic who finds his snappy words the key to his separated spine, with Virginia Christine, the "Folger's" lady, as Hatton's first on screen victim.
There's also a bit of comic relief with Bill Goodwin as the wise-cracking detective. Often, the mixture of horror and comedy is either ridiculously silly, an ingenious spoof, or off center in its Jekyll and Hyde personality. This is one film where it all works, causing me to highly praise it as being an excellent example of B films at their best.
One of the best later B Universal horror films, this is extremely well plotted, suspenseful and features a way above average script. Kosleck and Hatton are sort of the poor man's Bela Lugosi and Boris Karloff, with Kosleck getting more and more insane, and the pathetic Hatton sort of sympathetic for the child like hurt he feels for society's rejection for his "ugliness". Robert Lowery and Virginia Grey are feisty as an artist and model who are suspects in the critic's murder; Alan Napier, aka " Alfred the Butler" in the "Batman" series is the nasty critic who finds his snappy words the key to his separated spine, with Virginia Christine, the "Folger's" lady, as Hatton's first on screen victim.
There's also a bit of comic relief with Bill Goodwin as the wise-cracking detective. Often, the mixture of horror and comedy is either ridiculously silly, an ingenious spoof, or off center in its Jekyll and Hyde personality. This is one film where it all works, causing me to highly praise it as being an excellent example of B films at their best.