James Solomon phenomenally intertwines the power of sensationalism and the devastating effects of foul journalism in an emotionally heavy, eighty-nine minute masterpiece, The Witness. By allowing America to follow Bill Genovese's personal journey to seek the truth of the brutal murder of his beloved sister, Catherine "Kitty" Genovese, Solomon taps into the minds of many viewers and allows us to question something in which we, as Americans, are unconditionally susceptible to—the press. Bill Genovese does a superb job invalidating The New York Times article. By bringing the audience alongside with him as he met Kitty's friend, Sophia Farrar, as he hired an actress to reenact the death of Kitty Genovese, or as he read the letter in which Winston Moseley falsely put together lies, the audience was able to experience the roller-coaster of emotions and perceive Kitty Genovese as a person, not just an unfortunate example of Urban Apathy. This documentary will leave you realizing that there truly is two sides of a story and by simply projecting a shoddy argument, it can impact people's lives for years. The importance of engaging in sensationalism is brought to light as you see the emotional damage left to the Genovese family. Whether it be the new generations of Genovese ignorance towards their aunt, Kitty Genovese, or Kitty's siblings inability (besides Bill) to reveal the truth, The New York Times has left a mark.
Review of The Witness
