Despite its unpromising title and the somewhat jaded presence of Gypsy Rose Lee (who theatrically tends to over-act and who, alas, is so obviously now well past her prime), this little thriller engages the attention, thanks to its engrossing script, some fascinating performances (however did director Gerd Oswald get such a skillful study out of Anita Ekberg?), atmospheric direction and moody photography.
Even the music score skilfully creates just the right mood of horror and suspense - although I'll admit that the night club numbers are somewhat of a let-down, both musically and choreographically. But maybe they were supposed to be just that - namely second rate?
All in all, director Oswald has created an unusually absorbing programmer out of very limited resources.
Even the music score skilfully creates just the right mood of horror and suspense - although I'll admit that the night club numbers are somewhat of a let-down, both musically and choreographically. But maybe they were supposed to be just that - namely second rate?
All in all, director Oswald has created an unusually absorbing programmer out of very limited resources.