I don't remember Oklahoma City, or Waco, or Ruby Ridge. These events, if they were in my young subconscious mind at all, were crowded out by 9/11, which happened when I was only ten years old. For a generation that has been inundated with images of terrorism, violence, and war, it's difficult to grasp just how explosive and unjust this event was, and how it shocked the nation to learn that born and bred Americans could be just as responsible for the destruction of the country's goodwill than foreign invaders.
This film was directed by Emmy winning PBS documentarian Barak Goodman (Scottsboro: An American Tragedy). He begins the film's narrative at Oklahoma City, but then flashes back to the inception of the Aryan Nation in the mid-to-late eighties, and the ensuing terrorist institutions that created a platform for an army vet named Timothy McVeigh. Tracing this critical history of white held terrorism within the United States, we see the quick succession of violent white men who have taken arms against their government, and the almost unending paranoia that it created. People like David Koresh and Randy Weaver were the inspiration for an angry, xenophobic young man without many options and a plethora of military knowledge at his disposal.
McVeigh chose the building because he wanted retribution for those who stood against the government and died because of it. In our current political climate terrorism is almost a give-in, an accepted cross to bear in our everyday lives. McVeigh was the first major figure in a long line of American born white men who have taken arms against their own citizenry (Eric Robert Rudolph, Dylann Roof, Wade Michael Page, and thirty-six others since Oklahoma City). This documentary not only sheds light on the horrific act of three disillusioned youths, but the greater trend of discontented, hate- filled teens who later become violent terrorists. These events are more common than ever, and it's not a problem that goes away with prayers and acceptance. It stops because we don't let it happen again. We protect our fellow man, our children, and those who don't have a voice. This film is illuminating in all the right ways, and emotionally devastating in a million others.
This film was directed by Emmy winning PBS documentarian Barak Goodman (Scottsboro: An American Tragedy). He begins the film's narrative at Oklahoma City, but then flashes back to the inception of the Aryan Nation in the mid-to-late eighties, and the ensuing terrorist institutions that created a platform for an army vet named Timothy McVeigh. Tracing this critical history of white held terrorism within the United States, we see the quick succession of violent white men who have taken arms against their government, and the almost unending paranoia that it created. People like David Koresh and Randy Weaver were the inspiration for an angry, xenophobic young man without many options and a plethora of military knowledge at his disposal.
McVeigh chose the building because he wanted retribution for those who stood against the government and died because of it. In our current political climate terrorism is almost a give-in, an accepted cross to bear in our everyday lives. McVeigh was the first major figure in a long line of American born white men who have taken arms against their own citizenry (Eric Robert Rudolph, Dylann Roof, Wade Michael Page, and thirty-six others since Oklahoma City). This documentary not only sheds light on the horrific act of three disillusioned youths, but the greater trend of discontented, hate- filled teens who later become violent terrorists. These events are more common than ever, and it's not a problem that goes away with prayers and acceptance. It stops because we don't let it happen again. We protect our fellow man, our children, and those who don't have a voice. This film is illuminating in all the right ways, and emotionally devastating in a million others.