7/10
Reasonably amusing!
23 June 2017
Warning: Spoilers
Copyright 1 November 1961 by Cummings-Harman Productions. Released through 20th Century-Fox Film Corp. New York opening at the Paramount: 22 December 1961. U.S. release: 26 October 1961. U.K. release: 4 February 1962. 8,880 feet. 99 minutes.

SYNOPSIS: Charleyville is a typical pioneer town at the turn of the century, peppered with outlaws, saloon-thugs and gamblers who make life tough for the ranch folk. Broke and friendless, Debbie takes a job as ranch-hand with Aggie Gates (Thelma Ritter), aiming to collect enough money to send for the two youngsters she has left in New York with her mother-in-law. Saloon-keeper Dan Jones (Steve Forrest) and his dance-hall sweetheart (Juliet Prowse) are an immediate threat to Debbie's security, as is Sheriff Yoss (Ken Scott) whose loose government Debbie attacks at once and sets out to fight to a showdown. Befriending Debbie in a series of adventures through which she learns to slug her way with the best of them, is neighboring rancher Pat Collins (Andy Griffith).

NOTES: The novel by Richard Emery Roberts entitled "Star in the West" was first published in 1951. To coincide with the movie release, Pocketbooks launched an initial printing of 500,000 copies. As the movie chalked up no great returns at the box-office, I wonder how many copies were pulped?

COMMENT: Far-fetched and not to be taken too seriously, "The Second Time Around" is a pleasant and amusingly unassuming little film with some most agreeable characterizations.

Miss Reynolds herself leads the pack, but she is more than ably supported by Steve Forrest (of all people), Andy Griffith, Ken Scott (another surprise, he's absolutely top-notch as a crooked sheriff) and Tom Greenway (a Lon Chaney Jr. imitator in the small part of the deputy sheriff).

These character sketches are well handled by director Vincent Sherman (here making his final Hollywood movie). True, Sherman has significantly less success with Tracy Stratford and Jimmy Garrett, two typically American movie brats who are fortunately left behind in New York.

OTHER VIEWS: Miss Reynolds is a natural at this sort of thing. She really flings herself into this part. It's her show... Except for one brief, snappy Flamenco, all Juliet Prowse has to do is kind of hover in the background. She hovers well. — Variety.
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