An overlooked masterpiece of direction, editing and photography... and Maurice Cowan's screenplay is a cracker, too. The writer went on to find bigger success scripting some Norman Wisdom gems soon after this movie was made. Throw in some of the finest British acting talents of the day and you can't go wrong.
The title of the movie becomes apparent towards the end and it's a treat to discover.
Three very different women are released from prison at the same time (eight o clock, precisely) and the movie follows the subsequent day and evening as they get used to their freedom.
Monica (Yvonne Mitchell) has 'done' a year for something she didn't do yet she still carries a torch for the no-good spiv who put her inside. She gets a second chance at a new life and the film is largely focused on her story and whether or not she'll let her head rule her heart this time around.
Stella (Joan Collins) faces a similar choice between good and evil but in her case, her devoted man is good and her previous lifestyle is bad. Who will win this tug of war? (Joan Collins looks beautiful and sexy! She was just 20 when this movie came out and this is one of her first credited parts.)
Granny (Kathleen Harrison) is perhaps the most tragic character. She's a good-natured shoplifter who has lost her daughter's love and is kept going by her own affection for her dog, Johnny. (Kathleen Harrison may not be a name you recognize but you'll almost certainly know her face. Probably most famous as Mrs Thursday in the mid-sixties. She lived to the ripe old age of 103!)
There is a lot to marvel at, even if the story doesn't do it for you. London in the fifties is shown off with extraordinary clarity and with plenty of subtle reminders of how London used to be. The sign in the butcher's shop reads 'You can re-register here!' and the Brylcreem ads dotted the scorched, red brick walls. Piccadilly Circus and London's West End are a treasure to see in the post-war capital.
All the peripheral characters are a joy to watch and we shouldn't overlook the parts they play in bringing this movie to life. Thora Hird, Geoffrey Keen, Dorothy Alison... and many, many more!
The three stories blend perfectly together with dollops of tragedy, drama and ultimately hope. There's so much going on in every scene that the usherettes will be sweeping up the peanut shells, Capstan butts and discarded Walls ice cream tubs before you've had a chance to get seated comfortably!
Now showing on YouTube!
The title of the movie becomes apparent towards the end and it's a treat to discover.
Three very different women are released from prison at the same time (eight o clock, precisely) and the movie follows the subsequent day and evening as they get used to their freedom.
Monica (Yvonne Mitchell) has 'done' a year for something she didn't do yet she still carries a torch for the no-good spiv who put her inside. She gets a second chance at a new life and the film is largely focused on her story and whether or not she'll let her head rule her heart this time around.
Stella (Joan Collins) faces a similar choice between good and evil but in her case, her devoted man is good and her previous lifestyle is bad. Who will win this tug of war? (Joan Collins looks beautiful and sexy! She was just 20 when this movie came out and this is one of her first credited parts.)
Granny (Kathleen Harrison) is perhaps the most tragic character. She's a good-natured shoplifter who has lost her daughter's love and is kept going by her own affection for her dog, Johnny. (Kathleen Harrison may not be a name you recognize but you'll almost certainly know her face. Probably most famous as Mrs Thursday in the mid-sixties. She lived to the ripe old age of 103!)
There is a lot to marvel at, even if the story doesn't do it for you. London in the fifties is shown off with extraordinary clarity and with plenty of subtle reminders of how London used to be. The sign in the butcher's shop reads 'You can re-register here!' and the Brylcreem ads dotted the scorched, red brick walls. Piccadilly Circus and London's West End are a treasure to see in the post-war capital.
All the peripheral characters are a joy to watch and we shouldn't overlook the parts they play in bringing this movie to life. Thora Hird, Geoffrey Keen, Dorothy Alison... and many, many more!
The three stories blend perfectly together with dollops of tragedy, drama and ultimately hope. There's so much going on in every scene that the usherettes will be sweeping up the peanut shells, Capstan butts and discarded Walls ice cream tubs before you've had a chance to get seated comfortably!
Now showing on YouTube!