Les Sabo (Brant McCrea) is released from jail and is searching for the killer of his mother whose death he witnessed as a child. He is known as "The Ghoul" as he takes skin from his victims and is hard to kill. He is a hero to the poor in Chicago standing up to thugs and dishonest cops (which could have been better developed with a number of flash scenes or headlines).
The film is part art-house, part grindhouse, part 70's gorehouse with a little MTV tossed in. I loved the opening scene during the credits as his dead mother plays the piano from the back of pick-up truck creating an existential scene that borders on surrealism. The director was very careful in creating scenes, but seemed to have neglected the plot. The Ghoul never seemed to care about finding his mother's killer, never questioning anyone or tracking clues. The characters were not developed at all. I am pretty sure every horror and grindhouse fan will find something to like about the film. The style mixing was mostly effective, although there were times when it didn't work that well such as the first bathroom scene where we get 70's gorehouse music.
Guide: F-word. Nudity
The film is part art-house, part grindhouse, part 70's gorehouse with a little MTV tossed in. I loved the opening scene during the credits as his dead mother plays the piano from the back of pick-up truck creating an existential scene that borders on surrealism. The director was very careful in creating scenes, but seemed to have neglected the plot. The Ghoul never seemed to care about finding his mother's killer, never questioning anyone or tracking clues. The characters were not developed at all. I am pretty sure every horror and grindhouse fan will find something to like about the film. The style mixing was mostly effective, although there were times when it didn't work that well such as the first bathroom scene where we get 70's gorehouse music.
Guide: F-word. Nudity