Produced and directed by two of the Hollywood Ten, with a score by Brecht's regular collaborator Hanns Eisler, one might have expected something juicier, but 'So Well Remembered' lives up to its rather twee title by serving up soap opera rather than agit-prop. Nevertheless, it's one of a number of politically engaged films at that time to reflect the new broom sweeping British politics during the premiership of Clement Attlee.
Based on a 1945 novel by James Hilton (who also narrates), it compares interestingly with the Boulting Brothers' adaptation of Howard Spring's 'Fame is the Spur', released a couple of months later, in which as Hamer Shawcross, Michael Redgrave as the film progresses is made up more and more to resemble Ramsey MacDonald as he ditches his early revolutionary principles to rise to the top. George Boswell (played John Mills) by comparison, despite pressure from his self-centred, patrician wife, remains true to his youthful idealism, resigns from his parliamentary seat and is content to settle for becoming Mayor of the fictional Lancashire mill town of Browdley (actually shot in Macclesfield).
The film's cynicism about the compromises required to get on in Westminster are sadly as relevant today as ever; as is attested to by the public support Tony Blair's New Labour received from lifelong Tory voter John Mills in the 2001 General Election.
Based on a 1945 novel by James Hilton (who also narrates), it compares interestingly with the Boulting Brothers' adaptation of Howard Spring's 'Fame is the Spur', released a couple of months later, in which as Hamer Shawcross, Michael Redgrave as the film progresses is made up more and more to resemble Ramsey MacDonald as he ditches his early revolutionary principles to rise to the top. George Boswell (played John Mills) by comparison, despite pressure from his self-centred, patrician wife, remains true to his youthful idealism, resigns from his parliamentary seat and is content to settle for becoming Mayor of the fictional Lancashire mill town of Browdley (actually shot in Macclesfield).
The film's cynicism about the compromises required to get on in Westminster are sadly as relevant today as ever; as is attested to by the public support Tony Blair's New Labour received from lifelong Tory voter John Mills in the 2001 General Election.