4/10
Bresson's caressing camera still can't draw substance from these vacuous characters
7 September 2017
Revered for his minimalist approach to cinema, writer-director Robert Bresson shows an unerring artistic eye for his surroundings in "Quatre nuits d'un rêveur", though he stumbles with his vapid script (inspired by Dostoyevsky's short story "White Nights") about two young people in Paris. It's a flashback-heavy non-romance between a starving artist and a suicidal girl. After stopping her from leaping from a bridge, the painter finds himself drawn to the girl during an intimate conversation wherein they reveal to each other their past regrets--but she's still pining for her fickle lover. Bresson and cinematographer Pierre Lhomme capture lyrical, lazy bits of business--and sensual though not erotic female nudes--but the characters never take shape, and the amateur actors (a Bresson specialty) aren't compelling. ** from ****
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