Harry & Son (1984)
3/10
"Hemingway was rejected 97 times before he was ever published." .. "You're out to break his record?"
16 September 2017
Harry was once an ace crane operator for a construction company, but failing health in his older years has weakened his eyesight and, after a near-miss on the job, he's unceremoniously canned. Harry's son, Howard, in his early 20s and still living with "Pa," has a goof-off job detailing and washing cars, which leaves him most of the day to surf at the beach or type his short stories. Unable to hold a steady job with regular hours, the kid eventually gets the boot by Harry; meanwhile, the best friend of Harry's deceased wife--who works in a bird store and talks to her parrots--has a pregnant daughter with eyes for Howard (she doesn't seem to notice or care that he's unemployed, so naturally the kid wants to marry her). Co-written, co-produced, directed and starring Paul Newman, "Harry & Son" can't help but be a disappointment. Where has Newman's artistry gone? It's as absent here as his talent handling actors. This is a one-dimensional family drama with unconvincing characters and arguments and situations. Harry pecks at his son like a jealous lover, which is rendered even more unpleasant by Robby Benson's penchant for acting without his shirt on. Benson gives a wet, mildewy performance, the kind of plastic acting that cancels out all interest in a performer. Directing himself, Newman doesn't fare much better. Joanne Woodward, Ellen Barkin, Ossie Davis and Judith Ivey should be a strong supporting ensemble but the baleful writing doesn't help them. Playing a warehouse supervisor producing cardboard boxes, Morgan Freeman (shouting over the machines) has the most ridiculous sequence--who wouldn't walk away after a nightmare like this? There's another scene involving cardboard boxes (that's two too many), wherein vindictive Newman tries making his daughter and her husband look foolish by packing dishes in a wet container. There are no conclusions to these episodes; Newman is only interested in setting up the circumstances and then bulldozing his way to the next chapter. It's a depressingly pedestrian piece of work. *1/2 from ****
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