Big Leaguer (1953)
7/10
Even for those of us who don't take Big League seriously.
10 November 2017
Warning: Spoilers
Edward G. Robinson (John B. "Hans" Lobert), Vera-Ellen (Christy), Jeff Richards (Adam Polachuk), Richard Jaeckel (Bobby Bronson), William Campbell (Julie Davis), Carl Hubbell (himself), Paul Langton (Brian McLennan), Lalo Rios (Chuy Aguilar), Bill Crandall (Tippy Mitchell), Frank Ferguson (Wally Mitchell), Mario Siletti (Polachuk), John McKee (Dale Alexander), Robert Caldwell (Pomfret), Donald "Chippie" Hastings (Little Joe Polachuk), Al Campanis, Bob Trocolor, Tony Ravish (themselves), Bing Russell.

Narrated by Paul Langton.

Director: ROBERT ALDRICH. Screenplay: Herbert Baker. Story: John McNulty, Louis Morheim. Photography: William C. Mellor. Film editor: Ben Lewis. Art directors: Cedric Gibbons and Eddie Imazu. Set decorator: Edwin B. Willis. Make-up: Jack Dawn. Hair styles: Sydney Guilaroff. Music director: Alberto Colombo. Technical adviser: John B. "Hans" Lobert. Assistant director: Sid Sidman. Sound supervisor: Douglas Shearer. Producer: Matthew Rapf. Executive producer: Charles Schnee. Location scenes photographed at the New York Giants training farm in Melbourne, Florida.

Copyright 13 July 1953 by Loew's Inc. A Metro-Goldwyn-Mayer Picture. No recorded New York opening. U.S. release: 21 August 1953. U.K. release (in a 53-minute version): January 1956. Australian release: 4 November 1953. 70 minutes.

SYNOPSIS: Two weeks with young recruits in a big-league baseball training camp.

COMMENT: Although not highly regarded by connoisseurs, director Aldrich's first cinema feature has a lot to recommend it, not least the excellent performance of Edward G. Robinson as real-life baseball pro, "Hans" Lobert. In fact, with the exception of glumly stolid Jeff Richards, all the players (including of course the lovely Vera-Ellen and the talented Richard Jaeckel) are lively and likable.

Although constrained by a conventional plot, Aldrich's direction is never less than highly competent, occasionally even inventive.

Most of the film (if not all of it) has been attractively lensed on actual training camp locations by William C. Mellor, and the screenplay manages to arouse a fair amount of interest in both the characters and their background even for those of us who don't take Big League seriously.
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