8/10
Canvases Are Windows Not Doors
10 November 2017
When a humble Dutch painter dies under a set of precarious village stories, an impromptu detective vacations in the artist's final inn. This amateur sleuth is the son of the postman that shepherded the letters of Van Gogh. When a final undelivered letter arises, the gray beard passes the duty off to his bar fight prone son.

The letter's contents are preserved in obscurity, and only the recipient is known. The brother of Van Gogh has an endless gap of correspondence that the young Armand has been commissioned to fill. A simple delivery soon transpires into an entangling film noir melodrama.

Lies fly loose in this homey countryside community. Everyone wishes to claim a piece of the genius. Some deny connection altogether. Armand does not have any horses in the race beside his unquenchable thirst for truth. A pursuit that leads to innkeeper flings and drunken tussles.

A film that dissects its subject in the most honest form, oil oozes character, and scrapes define setting. The toil of over 100 artist and 853 establishing paintings leave an undeniable mark of care. Each frame speaks to the playful tinkering that brought still figures to live.

A celebration of Van Gogh's tumultuous life, and an examination of his curious demise, the postmortem play chooses to remember the painter in unassuming vignettes and ordinary tasks. A man burdened by finances and plagued by aristocratic contemporaries, he weaved about a drab lifestyle with obsessive dedication to his craft.

Van Gogh could turn the most ordinary into a fascinating exploration of form and expression. His rain-soaked canvases tell a tale of uncompromising devotion when the world punished legacy creators. His death marked the greatest "what if" in art history, a question that will spark a dangerous journey for Armand.
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