Inspired by the real life exploits of an African American man who impersonated everything from a lawyer to a surgeon to a foreign exchange student in the 1970s, 'Chameleon Street' might sound a lot like 'Catch Me If You Can', but this is a distinctly different sort of film. In the hands of writer-director Wendell B. Harris Jr., the protagonist is a curiously pitied character: one who cannot help but "intuit" the needs and desires of everyone he meets and "become that need" - far closer to the title character in 'Zelig' than Frank Abagnale Jr. There is a lot to like in how his dilemma feels like a hyperbolic metaphor for the way we all function, acting differently in different situations depending on who else we are with. The film's dramatic crunch comes from how his chameleonic nature impacts on his ability to be the father and husband that his family wants, though this area feels a tad undernourished due to a very false performance by the actress playing his daughter as well as the script's constant inflection towards comedy. And yet, while the laughs tend to overshadow the drama, the funny moments work incredibly well. Highlights include the protagonist lecturing a drunk on how to conjugate the F-word, a fake epileptic seizure that gets out of control and him rambling off a whole string of "J'accuse" sentences while trying to speak French.
Review of Chameleon Street
