Questions and accusations go hand in hand when everyone knows everyone. Mildred has thrown up a three-part whooper of an interrogative just on the outskirts of town, just so any newcomers are privy to the neglect that burns through her faded, but defiant jumpsuit.
The billboards' target lands on Chief Willoughby, a rugged yet compassionate family man, who loves saying "goddamn", and his force provides all the opportunities to pull it out. A man capable of viewing the larger picture in a speck of a town, he spatters red in attempts to wipe the advertising demons out of mind.
Mildred has always spoken with her hands, and the moment she once spoke spiteful words haunts her to this day. Holy men, and blue men have no chance of cooling her. They are all culpable for the breakfast silences and cereal fights. Her son, Robbie, writhes in discomfort as she disregards reputation with crotch kicks and viral marketing.
Officer Dixon is more of a short fuse than a racist, but particular sins float to the surface. His actions are deplorable, yet his heart rests in his momma's lap. He is the canine companion of Willoughby, and acts in contradiction to the Chief's every command. This zealot disciple might just be an incarnate desire emerging from a red wall.
The inter-connectivity of small town living makes for scolding tempers and egregious lack of judgments. When a big city crime creeps into their preservation, Ebbing inhabitants end up making unlikely friends and easy enemies. Arson becomes untraceable, but the motive is as clear as the pain of a lost child, or perhaps husband.
McDonagh has wrangled his wacky surrealism into a heart-stabbing community drama complete with genuine surprises and courageous late chapter restraint. Falling in love with the most slimy characters reveals how truly empathetic his vision was in creating a mystery with no clues and only heartache and growth.
The billboards' target lands on Chief Willoughby, a rugged yet compassionate family man, who loves saying "goddamn", and his force provides all the opportunities to pull it out. A man capable of viewing the larger picture in a speck of a town, he spatters red in attempts to wipe the advertising demons out of mind.
Mildred has always spoken with her hands, and the moment she once spoke spiteful words haunts her to this day. Holy men, and blue men have no chance of cooling her. They are all culpable for the breakfast silences and cereal fights. Her son, Robbie, writhes in discomfort as she disregards reputation with crotch kicks and viral marketing.
Officer Dixon is more of a short fuse than a racist, but particular sins float to the surface. His actions are deplorable, yet his heart rests in his momma's lap. He is the canine companion of Willoughby, and acts in contradiction to the Chief's every command. This zealot disciple might just be an incarnate desire emerging from a red wall.
The inter-connectivity of small town living makes for scolding tempers and egregious lack of judgments. When a big city crime creeps into their preservation, Ebbing inhabitants end up making unlikely friends and easy enemies. Arson becomes untraceable, but the motive is as clear as the pain of a lost child, or perhaps husband.
McDonagh has wrangled his wacky surrealism into a heart-stabbing community drama complete with genuine surprises and courageous late chapter restraint. Falling in love with the most slimy characters reveals how truly empathetic his vision was in creating a mystery with no clues and only heartache and growth.