8/10
Seduction and Disappointment
6 December 2017
The 2009 feature film, 'The Girlfriend Experience' depicted the lifestyle of a young woman, played by Sasha Grey, who worked as a high-end call-girl. The excellent Season 1 (8/10*) of the 2016 TV series related how the same character had entered this profession by moonlighting as an escort while studying law and interning at a big-city legal firm. Riley Keogh's portrayal of Christine won a Golden Globe nomination, with her understated performance showing the psychological cost of pretending affection to entitled executives while selling them her body. Prostitution was a persistent theme in each episode, with Keogh's micro-expressions betraying guarded emotions and inner conflicts as Christine subtly adjusted her persona to please various clients, lovers and employers. The series revealed how involvement in the sex trade derailed her personal life and law career.

By contrast, Season 2 (1/10*) lost any meaningful connection with the prostitution theme as it followed three different protagonists in two separate narratives. In the first, an escort embarked on an obsessive lesbian love affair with a corrupt campaign finance operator. In the second, a former call-girl got marooned in witness protection limbo as she awaited the trial of her gangster husband. The characters failed to generate any sympathy, the plots were neither believable nor interesting, and subtlety was entirely absent.

Season 3 (1/10*) continued the decline of 'The Girlfriend Experience' TV series. The plot proposed the far-fetched idea that a young neuro-science college dropout called Iris would engage in prostitution while under pressure to create a cutting edge AI program. The software was required to mimic human emotions, and Iris believed her charades as an escort could be re-purposed to achieve this end. Unfortunately Iris's commercial sex encounters were as vapid and robotic as her office intrigues. More thought seems to have been given to her wardrobe than the plot, which moved at a snail's pace, neglecting any depiction of a real call-girl's issues. Long before the end, the story had become mind-numbing, pseudo sci-fi tedium.
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