Chasey Lain is delightful (and never looked better) in Paul Thomas's "Nymph", among the better Vivid titles back from the "shooting on 35mm film" era.
It's a cute story about architect Vince Vouyer moving into an old apartment building that's scheduled for demolition by the city fathers. Turns out the place is located on an ancient spring, and Chasey is a ghost-like nymph haunting the edifice because of that.
Fanciful screenplay credited to David Keith Miller is more than functional, even when it stretches already scant credibility to fit porno requirements, in positing Chasey's character to be in many places (and forms) at the same time, so that when even the loyal fan gets tired of seeing just her hump he can watch Tracy Love, Kitty Monroe and "Toni" in action as her alter egos, all at the same time.
The interior sets are not impressive, but this is a capable cast, including pre-boob-enhancement Jill Kelly as a bad guy and the inevitable gang of studs in support. Vouyer is impressive and sympathetic in his lead role, making a good foil for the divine Chasey.
It's a cute story about architect Vince Vouyer moving into an old apartment building that's scheduled for demolition by the city fathers. Turns out the place is located on an ancient spring, and Chasey is a ghost-like nymph haunting the edifice because of that.
Fanciful screenplay credited to David Keith Miller is more than functional, even when it stretches already scant credibility to fit porno requirements, in positing Chasey's character to be in many places (and forms) at the same time, so that when even the loyal fan gets tired of seeing just her hump he can watch Tracy Love, Kitty Monroe and "Toni" in action as her alter egos, all at the same time.
The interior sets are not impressive, but this is a capable cast, including pre-boob-enhancement Jill Kelly as a bad guy and the inevitable gang of studs in support. Vouyer is impressive and sympathetic in his lead role, making a good foil for the divine Chasey.