I guess Cagney took the "lion" part literally since he roars all the way through. Unfortunately, it does get tiresome. That along with a brash behavior competes with plot development muddying overall impact. Perhaps Cagney saw a need to out-bluster award winning Broderick Crawford in 1950's thematically similar All The King's Men. Don't get me wrong-I'm a long time Cagney fan, but his turn here amounts almost to a caricature of his usual dynamic persona.
The movie itself lacks impact, mainly because of a screenplay that fails to concentrate Hank's (Cagney) trickery into a central focus. Instead, the story veers around in rather murky fashion, particularly with the political conniving that leads to Hank's downfall. For example, see if you can sort out the Castleberry, Polli, Beach, Rector, roles leading to Hank's downfall. Or figure out the clumsily developed Jeb Brown legal proceedings. To me, the script badly needed a re-write. Also, the casting of the women's roles requires a stretch. Hale's Verity appears much too refined for loud-mouth Hank, while Francis's Flamingo(!) appears about 20-years too young. These appear aimed at reinforcing Hank's blustery charisma. Anyway, I did like the 'one for all' bonding of the sharecroppers, especially when they transform Hank's shack into a bright bungalow. Also, the way the gin mill cheats is enlightening and I expect really happened to cotton growers. So there are compensations. However, the movie itself strikes me as one of Cagney's lessers and shows why it's seldom included in his iconic canon.
The movie itself lacks impact, mainly because of a screenplay that fails to concentrate Hank's (Cagney) trickery into a central focus. Instead, the story veers around in rather murky fashion, particularly with the political conniving that leads to Hank's downfall. For example, see if you can sort out the Castleberry, Polli, Beach, Rector, roles leading to Hank's downfall. Or figure out the clumsily developed Jeb Brown legal proceedings. To me, the script badly needed a re-write. Also, the casting of the women's roles requires a stretch. Hale's Verity appears much too refined for loud-mouth Hank, while Francis's Flamingo(!) appears about 20-years too young. These appear aimed at reinforcing Hank's blustery charisma. Anyway, I did like the 'one for all' bonding of the sharecroppers, especially when they transform Hank's shack into a bright bungalow. Also, the way the gin mill cheats is enlightening and I expect really happened to cotton growers. So there are compensations. However, the movie itself strikes me as one of Cagney's lessers and shows why it's seldom included in his iconic canon.