Yes, every film these days isn't just a film. It's the beginning of a larger body of work, a shared universe, or trying to set up an ongoing franchise. And, besides the Marvel Shared Universe and a few pre-existing properties like 'Star Wars,' most fledgling film franchises struggles beyond the first offering. That's simply because they make setting up a wider universe more of a priority than actually simply telling a good story (that 'Dark Universe' saga that tried to get off the ground with Tom Cruise at the helm, anyone?).
Now, I'm not going to say that the producers of 'Alita: Battle Angel' wouldn't love the franchise to still be going in ten years time (complete with all sorts of spin-off tales of secondary characters and probably a TV series to boot), but at least it stands on its own as a great story and - if it doesn't get a sequel - can be looked at as a whole, rather than something that started and was never concluded.
It's set well into the future where the world has been ravaged by one giant war (aka 'The Fall') and half the (unlucky) population live in a junkyard of a city on Earth, while those better off live in a floating city above it, known as 'Zolum.' The status quo remains until a Dr Dyson Ido (Christoph Waltz) who specialises in creating cyborgs out of spare parts finds the remains of a young cyborg girl ('Alita,' in case you haven't guessed!) on the scrap heap and takes it upon himself to rebuild her. Of course the plot needs her to have forgotten who true identity and - naturally - this all links in with what will become her destiny to bring a little more equality between the two last cities on Earth and the mysterious ruler who 'watches all.'
So, it's kind of one of those 'prophecy/saviour' type films which certainly aren't that original, but, if done right, are very entertaining - and Alita is very entertaining. First of all Rosa Salazar is a very likable lead and, despite not having too many major roles to her credit, does brilliantly at holding the weight of the story on her shoulders. She's also got on hand Christoph Waltz, who always turns in a great performance in whatever he's in. This is no different and their relationship is the character-highpoint of the film.
Alita's love interest is 'Hugo' (Keean Johnson) and, although I couldn't really find fault with anything about his performance, I got the impression that his part could have been played by anyone. Jennifer Connelly is on the cast-list, but I felt she was a little underused and could have been in it a lot more. And, despite being a big fan, I only found out that Jackie Earle Haley was in the film after seeing his name on the credits and having to look up who he played online afterwards
It's all stylishly directed by Robert Rodriguez, despite having James Cameron as co-producer and writer, the directoral honours seemed to have gone to Rodriguez. His natural style of fast-paced shots work better for the action and amount of CGI used. I know Cameron did - practically - an entire film ('Avatar') in CGI, but in Alita (and this could just be because a more modern film can blend live action and computer effects together) better, the effects look for more polished and real when compared to 'Avatar.' The soundtrack is also pretty generic and you certainly won't be humming the theme tune for months to come after leaving the cinema.
But, that's just a minor gripe. Basically, if you're in the mood for some great action and don't mind the lengthy two-hour run-time, you should definitely check this one out. After only a couple of scenes you'll stop wondering why Alita's eyes are so (CGI) big and concentrate on her growth as a character (and, is it just me, or is she using 'Sting' i.e. the sword from 'Lord of the Rings' to save the world?).
I see that it's only got a big of a lukewarm reception from some critics, but, if you see what the fans are saying about it, I think you'll know who to believe. Bring on the next installment.
Now, I'm not going to say that the producers of 'Alita: Battle Angel' wouldn't love the franchise to still be going in ten years time (complete with all sorts of spin-off tales of secondary characters and probably a TV series to boot), but at least it stands on its own as a great story and - if it doesn't get a sequel - can be looked at as a whole, rather than something that started and was never concluded.
It's set well into the future where the world has been ravaged by one giant war (aka 'The Fall') and half the (unlucky) population live in a junkyard of a city on Earth, while those better off live in a floating city above it, known as 'Zolum.' The status quo remains until a Dr Dyson Ido (Christoph Waltz) who specialises in creating cyborgs out of spare parts finds the remains of a young cyborg girl ('Alita,' in case you haven't guessed!) on the scrap heap and takes it upon himself to rebuild her. Of course the plot needs her to have forgotten who true identity and - naturally - this all links in with what will become her destiny to bring a little more equality between the two last cities on Earth and the mysterious ruler who 'watches all.'
So, it's kind of one of those 'prophecy/saviour' type films which certainly aren't that original, but, if done right, are very entertaining - and Alita is very entertaining. First of all Rosa Salazar is a very likable lead and, despite not having too many major roles to her credit, does brilliantly at holding the weight of the story on her shoulders. She's also got on hand Christoph Waltz, who always turns in a great performance in whatever he's in. This is no different and their relationship is the character-highpoint of the film.
Alita's love interest is 'Hugo' (Keean Johnson) and, although I couldn't really find fault with anything about his performance, I got the impression that his part could have been played by anyone. Jennifer Connelly is on the cast-list, but I felt she was a little underused and could have been in it a lot more. And, despite being a big fan, I only found out that Jackie Earle Haley was in the film after seeing his name on the credits and having to look up who he played online afterwards
It's all stylishly directed by Robert Rodriguez, despite having James Cameron as co-producer and writer, the directoral honours seemed to have gone to Rodriguez. His natural style of fast-paced shots work better for the action and amount of CGI used. I know Cameron did - practically - an entire film ('Avatar') in CGI, but in Alita (and this could just be because a more modern film can blend live action and computer effects together) better, the effects look for more polished and real when compared to 'Avatar.' The soundtrack is also pretty generic and you certainly won't be humming the theme tune for months to come after leaving the cinema.
But, that's just a minor gripe. Basically, if you're in the mood for some great action and don't mind the lengthy two-hour run-time, you should definitely check this one out. After only a couple of scenes you'll stop wondering why Alita's eyes are so (CGI) big and concentrate on her growth as a character (and, is it just me, or is she using 'Sting' i.e. the sword from 'Lord of the Rings' to save the world?).
I see that it's only got a big of a lukewarm reception from some critics, but, if you see what the fans are saying about it, I think you'll know who to believe. Bring on the next installment.