I won't sit here and give you the dramatics "worst film I've ever seen" or "a piece of trash", but I will tell you it is immensely bad. To give the film some credit, it does look nice, there are a few thrilling moments, and Laura Harring is incredible as the villain. However, that's about it. What we have here is a movie that is glossy, but shallow.
Our main character is played by Rachel Nichols, who is very uneven in her performance. There are moments I thought she was great, and others that I felt she didn't pull off. Her weaknesses are made more apparent by the stellar performance Harring gives. And, being honest, Harring is given a far more interesting character. The villain is a character that is selfish, psychotic, and violent, however, her actions at the end of the film show that there is still a glimpse of humanity in her. She is simply a very broken woman. Our main character briefly deals with grief in surface level fashion. You almost begin to root for the villain, because everything about her characterization and performance far outshines the protagonist's.
The supporting characters are utterly useless, and sometimes annoying. Issac is a likeable enough character, but remains utterly stupid, and never actually does anything to add any amount of tension to the film, and his partner is no different, only appearing on screen in a far away shot so we can see him get killed. Her mother, whom they stress is on her way, is only in the film for a few seconds, and also adds nothing to the film. And, we also have cops. One of which is a fine character, but isn't particularly interesting, and only drags the movie out further. The second cop mistakes our lead for the villain. And, even after she pleads that the real villain is upstairs, the cop forces her back upstairs in a truly idiotic move.
The main issue with this film is that there is positively no tension. The frantic banging on the bathroom door and the end climax in the swimming pool are somewhat tense, and their are a few cool thrills, but the movie absolutely lacks any kind of atmosphere. It is far too polished to offer any kind of visceral punch, and it fails as a glossy thriller through the use of comedy and a little bit too much stylization. It doesn't help that the film is entirely predictable. Every thrill or jump, or even plot twist can be called moments, or even minutes, before they happen. Had the film been entertaining or atmospheric, this would not have been an issue, but we've already discussed that.
And now, we get to the major elephant in the room. The film is a remake of a highly regarded French film. You only need to watch the first 30 minutes of the original to tell that it is far superior. With some truly effective moments, good performances, and a tense atmosphere, the film more than wipes the floor with this version. If you don't mind subtitles, the French film is a good watch. This version is half as effective and half as artistic and isn't worth a watch for any reason above curiosity. For fans of the original, it is an empty version of a better film, and for horror fans you have a relatively good looking home invasion film with little to offer.
Our main character is played by Rachel Nichols, who is very uneven in her performance. There are moments I thought she was great, and others that I felt she didn't pull off. Her weaknesses are made more apparent by the stellar performance Harring gives. And, being honest, Harring is given a far more interesting character. The villain is a character that is selfish, psychotic, and violent, however, her actions at the end of the film show that there is still a glimpse of humanity in her. She is simply a very broken woman. Our main character briefly deals with grief in surface level fashion. You almost begin to root for the villain, because everything about her characterization and performance far outshines the protagonist's.
The supporting characters are utterly useless, and sometimes annoying. Issac is a likeable enough character, but remains utterly stupid, and never actually does anything to add any amount of tension to the film, and his partner is no different, only appearing on screen in a far away shot so we can see him get killed. Her mother, whom they stress is on her way, is only in the film for a few seconds, and also adds nothing to the film. And, we also have cops. One of which is a fine character, but isn't particularly interesting, and only drags the movie out further. The second cop mistakes our lead for the villain. And, even after she pleads that the real villain is upstairs, the cop forces her back upstairs in a truly idiotic move.
The main issue with this film is that there is positively no tension. The frantic banging on the bathroom door and the end climax in the swimming pool are somewhat tense, and their are a few cool thrills, but the movie absolutely lacks any kind of atmosphere. It is far too polished to offer any kind of visceral punch, and it fails as a glossy thriller through the use of comedy and a little bit too much stylization. It doesn't help that the film is entirely predictable. Every thrill or jump, or even plot twist can be called moments, or even minutes, before they happen. Had the film been entertaining or atmospheric, this would not have been an issue, but we've already discussed that.
And now, we get to the major elephant in the room. The film is a remake of a highly regarded French film. You only need to watch the first 30 minutes of the original to tell that it is far superior. With some truly effective moments, good performances, and a tense atmosphere, the film more than wipes the floor with this version. If you don't mind subtitles, the French film is a good watch. This version is half as effective and half as artistic and isn't worth a watch for any reason above curiosity. For fans of the original, it is an empty version of a better film, and for horror fans you have a relatively good looking home invasion film with little to offer.