3/10
Oh dear, John
25 May 2019
My oh my where to begin? I can understand JT's attraction to this movie. It starts off as a classic old noir detective show (with JT as the narrator). Quite intriguing standard Maltese Falcon/Raymond Chandler style to begin with light tinges of Get Shorty and Pulp Fiction thrown in. I feel that this may be what attracted both John and Morgan initially. The doe eyed secretary and beautiful, mysterious woman waiting in his office when he escapes from the hitmen sent by (presumably) his bookie for outstanding debts. The lure of the dollars offered and a trip back to his hometown (with the bad memories) offers some interesting plot lines and, indeed, the film shapes up as having some potential. Morgan Freeman is introduced as the evil doer (who knows how he got there??) Then, (OMG THEN!!).....this movie rapidly spirals into self implosion worse than the Simpsons 3d episode!!! Seemingly rushing toward a timeframe ending with Keystone Kop like shootouts, ridiculous and implausible twists and turns and a finale that is blatantly obvious to even the most unobservant viewer (supposed twist at the end easily figured out way earlier!). The acting (from all) towards the end would embarrass a 7th grade school play lead. It seems as though everyone involved just wanted it to end asap (as did I). A real disappointment given that the start was quite good but it is a sad indictment on some of the potentially great actors of our time that, in the twilight of their careers, they are signing on for roles that are not only laughable but ruining their reputations and are certainly below the skillset, experience and expertise that they have achieved through out their long and illustrious professional working life. 3 points for a reasonable beginning, the rest is abysmal.
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