Three luminous sisters-the oldest one, Lee Seo-in (played by Im Sung-eon), is in a marriage that's gone from bad to worse; the middle one, Lee Jeong-in (Han Ji-min), is in a 4-year relationship that's gone sour; and the youngest one, Lee Jae-in (Joo Min-kyung), is a maverick who's not yet entangled with a partner-have each others' backs as they come to terms with themselves and the men in their lives. Their mother, Shin Jyeong-seon (Gil Hae-yeon) stands by them-and stands between them and the men in their lives, including their father, whose ideas about marriage are more traditional than those of his wife and daughters.
The plot revolves around Jeong-in's internal and external conflicts as she tries to extricate herself from one relationship (with Kwon Ki-seok, played by Kim Jun-han) and forge a new one with Yoo Ji-ho (Jung Hae-in, who also was a main character in "Something in the Rain"). Jeong-in seems to know where she wants to go with her life, but she can't quite find a path forward. Her performance is nuanced and evolves sweetly and strongly over the 16 episodes.
"One Spring Night" was directed by Ahn Pan-seok, who won awards for his work on "Something in the Rain." The cast of "One Spring Night" also includes several outstanding actors who worked with Ahn in the earlier series. Once again, the ensemble cast work together very well.
In "One Spring Night," Ahn seems to push the envelope for women even further than he did in the earlier series-or is he only reflecting ongoing cultural change in South Korea? The sisters are strong, wrestle with difficult choices, support each other, and are supported by their mother, who in middle age has begun to reclaim control of her own life. The sisters' female friends listen to them, share stories, give advice. The conversations among the sisters and their female friends are smart and sensitive. The men in their lives-many of them dressed in gray, black, or white-are often problematic, but some of them give sage advice and support to each other and the women in their lives.
The soundtrack is excellent and includes several songs-Rachael Yamagata's "No Direction," "We Could Still Be Happy," and "Is it You," as well as Oscar Dunbar's "Spring Rain" and Carla Bruni's "Spring Waltz"-that announce and accompany scenes with no dialog in which actors are thinking, lying in bed, walking in the park, riding in taxis, etc. In several slow-motion scenes, the music is synchronized to the actors' steps.
This is not a plot spoiler: Remember the rubber band in a drugstore scene in Episode 1!
This series warmed me-heart and soul. Check it out!
The plot revolves around Jeong-in's internal and external conflicts as she tries to extricate herself from one relationship (with Kwon Ki-seok, played by Kim Jun-han) and forge a new one with Yoo Ji-ho (Jung Hae-in, who also was a main character in "Something in the Rain"). Jeong-in seems to know where she wants to go with her life, but she can't quite find a path forward. Her performance is nuanced and evolves sweetly and strongly over the 16 episodes.
"One Spring Night" was directed by Ahn Pan-seok, who won awards for his work on "Something in the Rain." The cast of "One Spring Night" also includes several outstanding actors who worked with Ahn in the earlier series. Once again, the ensemble cast work together very well.
In "One Spring Night," Ahn seems to push the envelope for women even further than he did in the earlier series-or is he only reflecting ongoing cultural change in South Korea? The sisters are strong, wrestle with difficult choices, support each other, and are supported by their mother, who in middle age has begun to reclaim control of her own life. The sisters' female friends listen to them, share stories, give advice. The conversations among the sisters and their female friends are smart and sensitive. The men in their lives-many of them dressed in gray, black, or white-are often problematic, but some of them give sage advice and support to each other and the women in their lives.
The soundtrack is excellent and includes several songs-Rachael Yamagata's "No Direction," "We Could Still Be Happy," and "Is it You," as well as Oscar Dunbar's "Spring Rain" and Carla Bruni's "Spring Waltz"-that announce and accompany scenes with no dialog in which actors are thinking, lying in bed, walking in the park, riding in taxis, etc. In several slow-motion scenes, the music is synchronized to the actors' steps.
This is not a plot spoiler: Remember the rubber band in a drugstore scene in Episode 1!
This series warmed me-heart and soul. Check it out!