In the days when having a million dollars made someone rich, Carol Marsh is a carefully brought up girl who has developed the hiccups. Aided by figurative characters, she and mama's boy BBC broadcaster David Tomlinson fall in love, but how can they find true love when they live in an Olsen & Johnson HELLZAPOPPIN' world?
Gerald Thomas' second movie is a crazy comedy filled with a lot of well-known comics of the era doing their shticks. There are lots of good ones, including Terry-Thomas doing his 'Technical Hitch' routine and Jimmy Edwards showing Walter Forde silent comedies, but just as you're getting into the rhythms of the ridiculous revue, the film makers switch gears to advance the ridiculous 'Love Among the Hiccups' plot, and just when that seems to be going someplace, it halts to show us a ridiculous series of mishaps at a haunted castle or the BBC. I would imagine that if you were a member of a contemporary audience, you would be charmed to see your favorite players interrupt this pre-Goon-Show nonsense, but if you're not, it seems more chaotic than funny.
Gerald Thomas' second movie is a crazy comedy filled with a lot of well-known comics of the era doing their shticks. There are lots of good ones, including Terry-Thomas doing his 'Technical Hitch' routine and Jimmy Edwards showing Walter Forde silent comedies, but just as you're getting into the rhythms of the ridiculous revue, the film makers switch gears to advance the ridiculous 'Love Among the Hiccups' plot, and just when that seems to be going someplace, it halts to show us a ridiculous series of mishaps at a haunted castle or the BBC. I would imagine that if you were a member of a contemporary audience, you would be charmed to see your favorite players interrupt this pre-Goon-Show nonsense, but if you're not, it seems more chaotic than funny.