Tom Laughlin is so low key in this movie, he would actually make a snail seem exciting. For long stretches he is completely absent from the screen, only to finally appear in a laconic style that I can only describe as "David Carradine lite". The story itself seems stretched, with scenes continuing well beyond appropriate length, although nothing like the interminable orgy scene in "The Glory Stompers". The "eye candy" is there in the form of Elizabeth James, the ever menacing Robert Tessier is on board as one of several intimidating bikers, but I just can't get around Laughlin, and his almost non presence. The score by Mike Curb is absolutely amazing, I only wish I could say the same for this time capsule of a biker film. - MERK
Review of The Born Losers
