The lead antagonist is not the only one suffering from delusions in this film. Adonis, like its Imperfect Host, has a little bit of an identity crisis. The film is unsure if it is a black comedy, a thriller, or a slasher. It never fully commits itself to any of these genres, and instead chooses to slowly oscillate between these three centres of gravity, managing an uneasy orbit through this trinary system of pathos and despair.
Somehow, this works. The acting is lumpy, and the pacing is a little deranged, yet it is watchable from start to finish. There are attempts at obfuscation, of layered narrative and meanings within meanings; all of this is fairly trite, but not so malodorous that I was compelled to rage-quit the movie.
There is little originality in this film, but that really isn't what this melange of genres is about. It does manage to engender feelings of unease and tension, and this is what counts. Watchable, if you have the time to give to an imperfect, but adequate, low-budget attempt.
Somehow, this works. The acting is lumpy, and the pacing is a little deranged, yet it is watchable from start to finish. There are attempts at obfuscation, of layered narrative and meanings within meanings; all of this is fairly trite, but not so malodorous that I was compelled to rage-quit the movie.
There is little originality in this film, but that really isn't what this melange of genres is about. It does manage to engender feelings of unease and tension, and this is what counts. Watchable, if you have the time to give to an imperfect, but adequate, low-budget attempt.