Logic is replaced with intuition. Intuition cannot be explained, and so as the murders get solved with a sudden ease, you lose interest. There is a believability to it that makes for engaging viewing. Here, you sort of give up on trying to connect the dots, or even understand more deeply how the murders were concocted. (Intuition in thrillers is often a result of lazy writing.)
Then, there is the convenient use of Indian mythology that has space for both gore and lore. Using mythology to make something sound sexier, edgier almost, is similar if not the same as using Urdu to make damp squib moments sound romantic. (Ae Dil Hai Mushkil, Kalank) It is quite easy to spot the pointlessness of the exchange. Not going to talk on potholes and mistakes as they are explained aptly in above reviews but one thing for sure, brevity is not one of Asur's priorities.
Then, there is the convenient use of Indian mythology that has space for both gore and lore. Using mythology to make something sound sexier, edgier almost, is similar if not the same as using Urdu to make damp squib moments sound romantic. (Ae Dil Hai Mushkil, Kalank) It is quite easy to spot the pointlessness of the exchange. Not going to talk on potholes and mistakes as they are explained aptly in above reviews but one thing for sure, brevity is not one of Asur's priorities.