I seem to have enjoyed Trapped Alive a tad more than most. Is it a work of art? Definitely not. Is it a groundbreaking horror that trucks convention? That'll be a big 'no'. But is it fun? Well, I thought so. It's cheesy, sleazy, and occasionally gory, with that unmistakable '80s vibe that makes even a bad movie entertaining.
Pretty teen Robin Adams (Sullivan Hester, in her one and only movie) leaves her father's Xmas get-together to drive to a more lively party with her pal Monica (Laura Kallison). On the way, the girls are stopped and taken hostage by three criminals on the run from a local penitentiary: Louis 'Face' Napoleon (Alex Kubik), Mongo (Michael Nash) and Randy 'Hotrod' Carter (Mark Witsken), who was forced to take part in the escape by his ruthless cellmates.
In order to avoid a roadblock, Randy steers the car down a country lane that leads to an old deserted mine. Driving over a disused shaft, the car plummets into the ground, where the survivors come face-to-face with a deranged cannibal. Investigating the area, Sheriff Billy Williams (Randy Powell) follows the criminals and their hostages into the mine but isn't prepared for the horrors that await.
This one was apparently shelved for five years before finally seeing the light of day (in 1993), but it isn't any worse than many similar films from that era, and definitely better than quite a few. The plot is routine and the dialogue predictable, but the cast put in decent performances given what they have to work with. Alex Kubik is particularly great as slimy child-killer Face, the actor hamming it up a treat at every opportunity. Kudos also to Elizabeth Kent as Rachel, the strange woman who lives in the old pay office above the mine: her show-stopping speech at the end of the film is an audacious exercise in over-acting that is a marvel to behold. At the other end of the scale, Cameron 'never one to turn down a gig' Mitchell sleepwalks through his role as Robin's father, the movie sporadically cutting to the concerned old man to justify the actor's star billing.
Mitchell's scenes aside, director Leszek Burzynski keeps the brace brisk, and whenever things threaten to drag, he throws in something trashy to keep the viewer entertained, whether it be a some gratuitous nudity (during a hilarious impromptu sex scene, and when Face forces Monica to strip for him), some gore (the discovery of the half-eaten remains of Mongo being the most grisly moment, made all the more revolting when Randy has to fish his torch out of the dead man's innards), or having his lead actress strip to her underwear to take an underwater swim (granny pants alert!).
6.5/10, rounded up to 7 for crazy Rachel's mine-related sexy talk: "You go down.... down... until you find a shaft."
Pretty teen Robin Adams (Sullivan Hester, in her one and only movie) leaves her father's Xmas get-together to drive to a more lively party with her pal Monica (Laura Kallison). On the way, the girls are stopped and taken hostage by three criminals on the run from a local penitentiary: Louis 'Face' Napoleon (Alex Kubik), Mongo (Michael Nash) and Randy 'Hotrod' Carter (Mark Witsken), who was forced to take part in the escape by his ruthless cellmates.
In order to avoid a roadblock, Randy steers the car down a country lane that leads to an old deserted mine. Driving over a disused shaft, the car plummets into the ground, where the survivors come face-to-face with a deranged cannibal. Investigating the area, Sheriff Billy Williams (Randy Powell) follows the criminals and their hostages into the mine but isn't prepared for the horrors that await.
This one was apparently shelved for five years before finally seeing the light of day (in 1993), but it isn't any worse than many similar films from that era, and definitely better than quite a few. The plot is routine and the dialogue predictable, but the cast put in decent performances given what they have to work with. Alex Kubik is particularly great as slimy child-killer Face, the actor hamming it up a treat at every opportunity. Kudos also to Elizabeth Kent as Rachel, the strange woman who lives in the old pay office above the mine: her show-stopping speech at the end of the film is an audacious exercise in over-acting that is a marvel to behold. At the other end of the scale, Cameron 'never one to turn down a gig' Mitchell sleepwalks through his role as Robin's father, the movie sporadically cutting to the concerned old man to justify the actor's star billing.
Mitchell's scenes aside, director Leszek Burzynski keeps the brace brisk, and whenever things threaten to drag, he throws in something trashy to keep the viewer entertained, whether it be a some gratuitous nudity (during a hilarious impromptu sex scene, and when Face forces Monica to strip for him), some gore (the discovery of the half-eaten remains of Mongo being the most grisly moment, made all the more revolting when Randy has to fish his torch out of the dead man's innards), or having his lead actress strip to her underwear to take an underwater swim (granny pants alert!).
6.5/10, rounded up to 7 for crazy Rachel's mine-related sexy talk: "You go down.... down... until you find a shaft."