Based on Ernest Hemingway's short story, "My Old Man," the 1950 screen adaptation directed by Jean Negulesco, "Under My Skin," is a passably entertaining film; unfortunately, the film's prime asset, star John Garfield, made only two more movies after this before his early death at age 39. Garfield is widowed expatriate Dan Butler, a jockey with shady dealings and an unhealthy relationship with a corrupt gambler played by Luther Adler. Actually, Butler is not the nicest guy, and his relationships with his son and girlfriend are not healthy either. Garfield's physique does not make him physically convincing as a jockey, although his tough guy persona is ideal for the caddish part he plays. His rough and neglectful treatment of his son, Joe, is borderline abusive; he drags the kid through a life in hotels, leaves him alone and hungry, and pushes him away emotionally and physically. Butler's tough girlfriend, played by Micheline Presle, is overly tolerant of his loutish behavior; while inexplicably melting for Butler, Presle sings French ballads in a nightclub, which does little but further slow already slow scenes.
Filmed on the 20th Century Fox back lot, Negulesco over uses obvious rear projection and long shots of doubles on location to suggest the story is set in France, where Garfield, Presle, and Adler are definitely not; unfortunately, the efforts to fake Paris create an artificial backdrop to some unconvincing drama. The personal relationships also seem fake; Presle's tender feelings for Garfield in particular fail to convince, and the son, played by Orley Lindgren, has the looks and demeanor of having grown up with another father entirely. When Garfield utters "I love you," to Presle the phrase seems to have popped out of nowhere, and the son's persistent blindness to his father's faults strains credibility.
Despite his miscasting and difficulty expressing warmth, Garfield owns the film, and he is the primary reason to see it. The horse-racing scenes are fairly good, although Garfield's training of a difficult horse into a winner largely occurs off screen. Other than the racing, the pace is leisurely, and Adler and his henchmen bark softly and scuff up, rather than rough up. Despite the film's flaws, Garfield is always worth watching, and his unlikeable Dan Butler fits him well.
Filmed on the 20th Century Fox back lot, Negulesco over uses obvious rear projection and long shots of doubles on location to suggest the story is set in France, where Garfield, Presle, and Adler are definitely not; unfortunately, the efforts to fake Paris create an artificial backdrop to some unconvincing drama. The personal relationships also seem fake; Presle's tender feelings for Garfield in particular fail to convince, and the son, played by Orley Lindgren, has the looks and demeanor of having grown up with another father entirely. When Garfield utters "I love you," to Presle the phrase seems to have popped out of nowhere, and the son's persistent blindness to his father's faults strains credibility.
Despite his miscasting and difficulty expressing warmth, Garfield owns the film, and he is the primary reason to see it. The horse-racing scenes are fairly good, although Garfield's training of a difficult horse into a winner largely occurs off screen. Other than the racing, the pace is leisurely, and Adler and his henchmen bark softly and scuff up, rather than rough up. Despite the film's flaws, Garfield is always worth watching, and his unlikeable Dan Butler fits him well.