Know Ginger Rogers best from her legendary partnership with another dancing legend Fred Astaire, but she did show numerous times that she fared very well in the acting department as well in comedy and drama. She was my main reason in seeing 'Fifth Avenue Girl'. Have also liked some of Gregory La Cava's other films, namely the wonderful 'Stage Door'. Really liked comedy and romance and they have been known to blend very well together, especially in the golden age of film history.
'Fifth Avenue Girl' is one of those many films from the golden age, but sadly to me it is not one of the classics. Have seen better from Rogers, films and performances, and from La Cava, as well as better blendings of comedy and romance and both elements done better individually in other films. That is not saying that 'Fifth Avenue Girl' is terrible as it isn't, it just wasn't my definition of great and the potential for it to be great was absolutely there.
There are definitely good, even great, things. 'Fifth Avenue Girl' looks great, beautifully photographed that is never too elaborate or too much of a filmed play. The costumes are also suitably distinguished and one of the film's most striking things was that magnificent staircase and the clever way it's used throughout. The music is pleasant, not too chirpy and also not too serious. La Cava has some stylish direction evident.
Although the script is not perfect, it does amuse frequently, intrigues and can be witty and sophisticated. Same goes for the story. Rogers looks lovely and her sass and elegance shines often. Walter Connolly is amusing and Veree Teasdale has fun in her role.
Sadly there are debits. Tim Holt is bland from playing his part too seriously and his chemistry with Rogers always looks stiff and under-rehearsed. Something of a big problem when it plays a sizeable part in the film. Rogers has good moments, but sometimes she is too low-key and some parts are less engaged-looking than others.
Do agree that the script is too talky and too heavy on heavy-handed and of the time social commentary. Some of the pace is sluggish and the ending is rushed and silly.
In conclusion, not bad at all. Just not great. 6/10
'Fifth Avenue Girl' is one of those many films from the golden age, but sadly to me it is not one of the classics. Have seen better from Rogers, films and performances, and from La Cava, as well as better blendings of comedy and romance and both elements done better individually in other films. That is not saying that 'Fifth Avenue Girl' is terrible as it isn't, it just wasn't my definition of great and the potential for it to be great was absolutely there.
There are definitely good, even great, things. 'Fifth Avenue Girl' looks great, beautifully photographed that is never too elaborate or too much of a filmed play. The costumes are also suitably distinguished and one of the film's most striking things was that magnificent staircase and the clever way it's used throughout. The music is pleasant, not too chirpy and also not too serious. La Cava has some stylish direction evident.
Although the script is not perfect, it does amuse frequently, intrigues and can be witty and sophisticated. Same goes for the story. Rogers looks lovely and her sass and elegance shines often. Walter Connolly is amusing and Veree Teasdale has fun in her role.
Sadly there are debits. Tim Holt is bland from playing his part too seriously and his chemistry with Rogers always looks stiff and under-rehearsed. Something of a big problem when it plays a sizeable part in the film. Rogers has good moments, but sometimes she is too low-key and some parts are less engaged-looking than others.
Do agree that the script is too talky and too heavy on heavy-handed and of the time social commentary. Some of the pace is sluggish and the ending is rushed and silly.
In conclusion, not bad at all. Just not great. 6/10