I'm not given to watch series or mini-series, but sometimes I give them a chance. And I was very happy to have done that with this mini-series of two seasons, each one with four short episodes. It was very slightly based on tales, deeply sarcastic and a little self-biographical, by Mikhail Bulgakov, a very little-known Russian author who graduated in medicine and became a deeply critical voice to the Russian communist regime, characteristics that we can see very well in this series.
The series focuses on the figure of Dr. Vladimir Bomgard, a young doctor recently graduated from the best medical school in the Russian Empire, with an academic curriculum to make anyone envious, but who is sent to run a hospital in the middle of the Siberia in 1917, months before the outbreak of the Russian Revolution. In addition to missing the civilized world that Moscow represents, the young doctor will have to face the rivalry of his predecessor's memory, the late Leopold Leopoldovich, forcing him to fight to establish himself and be accepted. At the same time, we will see events that take place decades later, when the already prestigious Dr. Bomgard is investigated by the communist authorities and will reread the pages of his youth diary. On a mental journey, the mature doctor goes back to the past in order to confront or help his younger self in the difficulties he went through, especially his terrible addiction to morphine.
The series is very good, despite its dark and deeply sarcastic humour that, decidedly, does not please all audiences. Many people will consider it simply barbaric or even in bad taste. Each episode reveals how inhuman medicine could have been a little over a hundred years ago, in a place where everything was lacking to the point of a doctor, no matter how good his intentions might be, compared himself to a butcher. I also liked the way in which ego and alter-ego argued and sometimes fought, as the mature doctor tries to prevent the young doctor from making mistakes or being, simply, an insensitive idiot.
The cast is dominated by Daniel Radcliffe and Jon Hamm, in the role of the two versions of the main character. Radcliffe is perfect for his character and knows very well how to be sarcastic and cruel without letting that stop us from sympathizing with his character. On the other hand, Hamm is not so uniform... if in the first season he shows rudeness in the things he says and in the brutal and insensitive way in which he faces reality, but in the second season he will prove to be more sensitive and palatable. From the supporting cast, I would particularly highlight the good performances of Adam Godley and Rosie Cavaliero. I also liked Margaret Clunie's in the second season.
Technically, its a series that does not stand out. It has a good cinematography and makes good use of excellent sets and period costumes. I thought that the character Natasha's costume was beautiful, but also something imaginative and unlikely, as the character is too elegant and well dressed for an aristocrat who has lost everything and is fleeing her country. CGI images, in particular the landscapes, did not seem very realistic. The soundtrack, in turn, is really good, is in the ear and has a sound that really reminds us of Russia and Russian culture.
The series focuses on the figure of Dr. Vladimir Bomgard, a young doctor recently graduated from the best medical school in the Russian Empire, with an academic curriculum to make anyone envious, but who is sent to run a hospital in the middle of the Siberia in 1917, months before the outbreak of the Russian Revolution. In addition to missing the civilized world that Moscow represents, the young doctor will have to face the rivalry of his predecessor's memory, the late Leopold Leopoldovich, forcing him to fight to establish himself and be accepted. At the same time, we will see events that take place decades later, when the already prestigious Dr. Bomgard is investigated by the communist authorities and will reread the pages of his youth diary. On a mental journey, the mature doctor goes back to the past in order to confront or help his younger self in the difficulties he went through, especially his terrible addiction to morphine.
The series is very good, despite its dark and deeply sarcastic humour that, decidedly, does not please all audiences. Many people will consider it simply barbaric or even in bad taste. Each episode reveals how inhuman medicine could have been a little over a hundred years ago, in a place where everything was lacking to the point of a doctor, no matter how good his intentions might be, compared himself to a butcher. I also liked the way in which ego and alter-ego argued and sometimes fought, as the mature doctor tries to prevent the young doctor from making mistakes or being, simply, an insensitive idiot.
The cast is dominated by Daniel Radcliffe and Jon Hamm, in the role of the two versions of the main character. Radcliffe is perfect for his character and knows very well how to be sarcastic and cruel without letting that stop us from sympathizing with his character. On the other hand, Hamm is not so uniform... if in the first season he shows rudeness in the things he says and in the brutal and insensitive way in which he faces reality, but in the second season he will prove to be more sensitive and palatable. From the supporting cast, I would particularly highlight the good performances of Adam Godley and Rosie Cavaliero. I also liked Margaret Clunie's in the second season.
Technically, its a series that does not stand out. It has a good cinematography and makes good use of excellent sets and period costumes. I thought that the character Natasha's costume was beautiful, but also something imaginative and unlikely, as the character is too elegant and well dressed for an aristocrat who has lost everything and is fleeing her country. CGI images, in particular the landscapes, did not seem very realistic. The soundtrack, in turn, is really good, is in the ear and has a sound that really reminds us of Russia and Russian culture.