Way too much of opera singer Everett Marshall, not nearly enough of Dolores del Río. It's really a shame she didn't get better parts during her career, but at least she isn't forced to play into stereotypes in this role. The film suffers from a lack of humor, charm, and romantic chemistry though, and also from having been made after the Production Code went into place. Don't expect any flashy musical numbers, despite direction from Busby Berkeley either. Just a total blah.