In this talkie remake of the 1922 Cecil B. De Mille movie, Claudette Colbert is the rich, careless girl who runs down a police officer; Frederick March is the District Attorney who is first her lover, and then her prosecutor. In the silent version, these roles had been taken by Beatrice Joy and Thomas Meighan.
Under the direction of George Abbott, who was taking a wanderjahr in Hollywood, the performances are excellent. Archie Stout offers camerawork that is simultaneously American, yet offers a shadow-filled prison that looks a bit Germanic. The dialogue is slightly coy for a Pre-Code movie, but there's no mistaking what is going on when March wins her conviction then quits his job to go on a long drunk.
It's a proper three-act drama with an epilogue. In the first, Miss Colbert is a heedless young thing, who gets caught speeding and then drops a bracelet as a bribe for the speed cop. In the second, her maid has stolen her bracelet, and Miss Colbert agrees to testify for her, but can't be bothered. On finding out, she speeds to the court, strikes the officer she bribed, and witnesses what happens when she kills someone. She goes through a wide range of emotions under Abbott's direction. In the epilogue...
It's a well-made and affecting story, and the leads do a fine job. Nonetheless, Demille's version hangs a heavy pall over this, even though it is claimed as his worst movie. I really can't say. It's been a long time since I saw it, and have no clear memory. I shall have to remedy that gap.
Under the direction of George Abbott, who was taking a wanderjahr in Hollywood, the performances are excellent. Archie Stout offers camerawork that is simultaneously American, yet offers a shadow-filled prison that looks a bit Germanic. The dialogue is slightly coy for a Pre-Code movie, but there's no mistaking what is going on when March wins her conviction then quits his job to go on a long drunk.
It's a proper three-act drama with an epilogue. In the first, Miss Colbert is a heedless young thing, who gets caught speeding and then drops a bracelet as a bribe for the speed cop. In the second, her maid has stolen her bracelet, and Miss Colbert agrees to testify for her, but can't be bothered. On finding out, she speeds to the court, strikes the officer she bribed, and witnesses what happens when she kills someone. She goes through a wide range of emotions under Abbott's direction. In the epilogue...
It's a well-made and affecting story, and the leads do a fine job. Nonetheless, Demille's version hangs a heavy pall over this, even though it is claimed as his worst movie. I really can't say. It's been a long time since I saw it, and have no clear memory. I shall have to remedy that gap.