LA cops Barry Sullivan and William Conrad pursue Cajun Vittorio Gassman into the deadly bayous of Louisiana.
With Joseph H. Lewis directing, you know you're going to get some interesting compositions, and some silly shots too. The latter occurs early on, when they're pursuing a suspect, who jumps on Angel's Flight and rides it to the top, while Conrad runs up beside it and emerges onto the street, not even breathing hard. Mostly though it's about Sullivan, am honest cop whom Gassman respects, while Conrad works over a witness who won't answer his questions -- just out of camera range, while Sullivan looks disgusted. That and strange Cajun culture and stock shots of alligator pulled from TRADER HORN. It's a good programmer, although a bit naive, looking back almost 70 years.
With Joseph H. Lewis directing, you know you're going to get some interesting compositions, and some silly shots too. The latter occurs early on, when they're pursuing a suspect, who jumps on Angel's Flight and rides it to the top, while Conrad runs up beside it and emerges onto the street, not even breathing hard. Mostly though it's about Sullivan, am honest cop whom Gassman respects, while Conrad works over a witness who won't answer his questions -- just out of camera range, while Sullivan looks disgusted. That and strange Cajun culture and stock shots of alligator pulled from TRADER HORN. It's a good programmer, although a bit naive, looking back almost 70 years.