"Condemned!" is an early prison melodrama with the accent on "melodrama". Admittedly, "melodrama" was much more acceptable to audiences in 1929 than it is today. That being said, this film does have a good deal in its' favor. It has a great cast including Dudley Digges, somewhat miscast as a French prison administrator, and Ann Harding, much better-cast as his meek, put-upon wife. Also, look for a rare appearance by Louis Wolheim (and, admittedly, his presence is very hard to miss) in the role of a convict. Best remembered today for his memorable performance in the 1930 film, "All Quit on the Western Front", Wolheim's career was unfortunately cut short when he died suddenly in 1931 at the age of only 50. Although usually cast as a plug-ugly thug, Wolheim was actually a graduate of Cornell University and a former college professor whose distinctive appearance was the result of a college football injury (apparently football was a rougher game in those far-off days). Lastly, of course, this movie features the great Ronald Coleman in his prime, an actor whose presence was always a major asset to any film.
The overbearing administrator of a French penal colony in South America considers it beneath his dignity for his wife to be seen doing housework. Consequently, overruling his meek and much put-upon wife's protests that she is afraid of the convicts and does not want one of them in the house, the administrator insists upon selecting a convict to serve as their "house-boy". Needless to say, he selects the most handsome and charming of the convicts for the job, Ronald Coleman. This being a melodrama, anyone can immediately predict where that is going to lead except, of course, the woman's husband. It takes him quite a while to catch on to what is perfectly obvious to everyone else. Of course, once he does, his reaction is equally predictably vindictive and nasty.
Being a very early example of a "talkie", this movie inevitably suffers from some technical crudity. However, it also displays some striking visual effects in those scenes which do not require dialogue. In addition, despite this movie's rather dated melodramatics, it is still worth seeing for its' excellent cast.
The overbearing administrator of a French penal colony in South America considers it beneath his dignity for his wife to be seen doing housework. Consequently, overruling his meek and much put-upon wife's protests that she is afraid of the convicts and does not want one of them in the house, the administrator insists upon selecting a convict to serve as their "house-boy". Needless to say, he selects the most handsome and charming of the convicts for the job, Ronald Coleman. This being a melodrama, anyone can immediately predict where that is going to lead except, of course, the woman's husband. It takes him quite a while to catch on to what is perfectly obvious to everyone else. Of course, once he does, his reaction is equally predictably vindictive and nasty.
Being a very early example of a "talkie", this movie inevitably suffers from some technical crudity. However, it also displays some striking visual effects in those scenes which do not require dialogue. In addition, despite this movie's rather dated melodramatics, it is still worth seeing for its' excellent cast.