This film definitely gets the conflict: a dying town receives new arrivals who they do not want. We see a lot of bad behavior, without seeing how it came about. We hear a lot about how people feel -- but not how they got there. We see a lot of things, but we don't see the causes; we can only accept what the film shows us.
In this way, "Welcome to Leith" is very much a shaped film about real people in a real event. Sympathy clearly exists for the townspeople, but we are also given good exposure to the newcomers, who present their views openly. Unexplored is how the behavior of the good townspeople is often worse than that of the prejudiced newcomers -- or is it? We don't know, but in this film we see property destruction only by one side, and it's not the newcomers.
Making issues more complicated, the arguments given by the old-timers only tangle things further; we can imagine the same arguments happening in dying white towns receiving new non-white occupants. Sure, the answer feels obvious to all of us -- but you can't argue a feeling into a legal action ... or can you?
Perhaps the filmmakers realized all this; the title alone is ironic, since clearly the town of Leith is *not* welcoming these people. But in a free democracy, property up for sale can be bought by anyone interested. What we haven't figured out how to manage, is how to balance the rights of the existing inhabitants with those of the newcomers. "Welcome to Leith" shows this problem is still very much alive -- regardless of which side of the Sold sign you're standing on
In this way, "Welcome to Leith" is very much a shaped film about real people in a real event. Sympathy clearly exists for the townspeople, but we are also given good exposure to the newcomers, who present their views openly. Unexplored is how the behavior of the good townspeople is often worse than that of the prejudiced newcomers -- or is it? We don't know, but in this film we see property destruction only by one side, and it's not the newcomers.
Making issues more complicated, the arguments given by the old-timers only tangle things further; we can imagine the same arguments happening in dying white towns receiving new non-white occupants. Sure, the answer feels obvious to all of us -- but you can't argue a feeling into a legal action ... or can you?
Perhaps the filmmakers realized all this; the title alone is ironic, since clearly the town of Leith is *not* welcoming these people. But in a free democracy, property up for sale can be bought by anyone interested. What we haven't figured out how to manage, is how to balance the rights of the existing inhabitants with those of the newcomers. "Welcome to Leith" shows this problem is still very much alive -- regardless of which side of the Sold sign you're standing on