Review of Neutral Port

Neutral Port (1940)
7/10
Lots of fun, but this comedy is really a plea for Brit unity against a formidable WW II foe
12 April 2021
"Neutral Port" (1940) stars Will Fyffe, Leslie Banks, Yvonne Arnaud, Phyllis Calvert, Hugh McDermott, and many others in what can be considered a British WWII propaganda film, this, just post (3 months) the blitz occurring in London. It begins just prior to the declaration of war between Britain and Germany. A German submarine has just sunk Will Fyffe's boat, and now Fyffe comes into a neutral port where he hears of a German boat he can hi-jack as compensation for the one that was sunk. This "neutral" port is one he's been coming to often, as Yvonne Arnaud is now seeking Fyffe to become her fifth husband! This cute little war fluff has very deep underlying motives, but plays like fluff comedy, with Scottish actor Fyffe pulling out all the stops by being a crusty, but somewhat - and that's an operative word - canny Brit sea captain. He couldn't care less that war's been declared; he wants his own boat - again... Period. Oh, what he'll do to get it!

Lots of fun, though it's obvious that this is a plea for Brit unity against a formidable foe. With the year long blitz in progress as this was released, it became obvious, too, that this kind of fluff was not what was needed to win the war. With 1941 the seriousness of what was occurring changed forever the tenor of films about WW II. Will Fyffe shines, and Leslie Banks continues his series of very officious Brit characters (as opposed, say, to his 1932 characterization in "The Most Dangerous Game"! Where he played Zaroff). Yvonne Arnaud, who was already 47 when she made this film, was a French actress who spent her sometime career in films in British films until her last film, Jacques Tati's "Mon Oncle" (1958), the year of her death. She's a pip. Phyllis Calvert and Hugh McDermott have the most serious rôles in "Neutral Port", and though McDermott comes to the ultimate rescue of all involved, still plays lover to Calvert, daughter of Banks, and that love affair keeps an air of normalcy about this raucous play-up of war.

Directed by Marcel Varnel who's possibly best remembered as the director of things like "Chandu the Magician" (1932) and the two Will Hay films, "Oh, Mr. Porter!" (1937) and "Convict 99" (1938), among many others. Look quickly here, too, for Hugh Griffith in his second film. This is the debut film of Anton Diffring who ended up for decades as nasties in Brit and American films, usually as Nazis with nefarious intent.
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