Mr X review :
He is an ATS cop livin' in with his junior colleague. The lovers crack down on terrorists and make out during their spare time. Life's pretty wham bam (pun unintended) for the couple until Mr. Cop becomes victim of a conspiracy, gets burnt in a chemical factory, emerges as an invisible entity and rechristens himself Mr. X. Directed by Vikram Bhatt for his family banner (Vishesh Films) and featuring their in- house protege Emraan Hashmi as You-know-who, the film is a latest interpretation of the invisible man.
If the attempt was one upmanship on Shekhar Kapur's 1987 classic 'Mr India' or an Indianised 'Hollow man' (2001), regret to inform that X comes nowhere close to them. At most, it gets better than RGVs unbearable 'Gaayab' (2005) which had an invisible Tusshar Kapoor doing unmentionables to Antara Mali.
Of the cast, Emraan Hashmi plays the lead with a feel that he can do such roles in his sleep now. Newcomer Amyra Dastur is easy on the eyes but falls flat on the acting front. Still, she fares better than Arunoday Singh who makes a laughing stock of his ATS chief character. He deserves applause for providing unintentional LOL moments in serious situations something even Tanmay Bhat (of 'All India Bakchod' defame), the supposed comedian of the piece isn't able to pull off.
The dialogues are stale. Lyrics contrived. And the music unsatisfactory. The conspiracy plot is borrowed from SRK starrer 'Baadshah' (1998), transformation to invisibility has a 'Hollow man' hangover and the vigilante hero resembles 'Mr. India'. Situations are specially created for item numbers and smooch sessions.
The only positive aspects are the VFX and 3D effects worked within a low budget, something Vikram Bhatt has mastered over the years ('Haunted', 2011 and 'Raaz 3D') and he doesn't disappoint on this front!
One thing certain, Emraan Hashmi needs to shed his repetitive acts film after film and re-invent himself at the earliest. He's clearly not enjoying himself in such mediocre enterprises now and the disinterest shows on screen. As a film reviewer, I may be sounding harsh and judgemental, but trust me sir, the audience can be more cruel!!
Regards, Sumeet Nadkarni.
He is an ATS cop livin' in with his junior colleague. The lovers crack down on terrorists and make out during their spare time. Life's pretty wham bam (pun unintended) for the couple until Mr. Cop becomes victim of a conspiracy, gets burnt in a chemical factory, emerges as an invisible entity and rechristens himself Mr. X. Directed by Vikram Bhatt for his family banner (Vishesh Films) and featuring their in- house protege Emraan Hashmi as You-know-who, the film is a latest interpretation of the invisible man.
If the attempt was one upmanship on Shekhar Kapur's 1987 classic 'Mr India' or an Indianised 'Hollow man' (2001), regret to inform that X comes nowhere close to them. At most, it gets better than RGVs unbearable 'Gaayab' (2005) which had an invisible Tusshar Kapoor doing unmentionables to Antara Mali.
Of the cast, Emraan Hashmi plays the lead with a feel that he can do such roles in his sleep now. Newcomer Amyra Dastur is easy on the eyes but falls flat on the acting front. Still, she fares better than Arunoday Singh who makes a laughing stock of his ATS chief character. He deserves applause for providing unintentional LOL moments in serious situations something even Tanmay Bhat (of 'All India Bakchod' defame), the supposed comedian of the piece isn't able to pull off.
The dialogues are stale. Lyrics contrived. And the music unsatisfactory. The conspiracy plot is borrowed from SRK starrer 'Baadshah' (1998), transformation to invisibility has a 'Hollow man' hangover and the vigilante hero resembles 'Mr. India'. Situations are specially created for item numbers and smooch sessions.
The only positive aspects are the VFX and 3D effects worked within a low budget, something Vikram Bhatt has mastered over the years ('Haunted', 2011 and 'Raaz 3D') and he doesn't disappoint on this front!
One thing certain, Emraan Hashmi needs to shed his repetitive acts film after film and re-invent himself at the earliest. He's clearly not enjoying himself in such mediocre enterprises now and the disinterest shows on screen. As a film reviewer, I may be sounding harsh and judgemental, but trust me sir, the audience can be more cruel!!
Regards, Sumeet Nadkarni.