Kapurush / The Coward (1965) :
Brief Review -
Satyajit Ray's burning take on incomplete lovestory. A Classic contrary version to his own Masterpiece Charulata. You know i often say that Indian Cinema can never have a Masterpiece like Casablanca (1942) but we have Charulata (1964). It was Ray's visionary take on a Woman's Love for the other person than her Husband but the person with high ethics doens't fall for it. That reminds me of Casablanca, you know Rick sending off the couple to stay happy in their married life in the legendary climax scene. Though, Ray's Charulata was differen. But for me that's the only thing from India which i can compare to Casablanca and you know it's a big statment. So, Kapurush is contrary to Charulata or should i say it's a male version of it. A by chance meeting rekindles old memories between a screenwriter and his ex-girlfriend, who is by now married to a well-to-do man. Here, we see the woman having those ethics and showing her loyalty. However, her burning heart and pain does not remain hidden and that's what delivers a Classic heartbreaking climax to this short film. In 67 minutes, Kapurush smartly manages to showcase all the required things including past events. It's an achievement for any film with this much short runtime. Remember those Classic love stories of Hollywood from silent era? Kapurush is that for Indian cinema. I know it's too late, i mean 4 decades, yeah but still at last we have something to tell. Soumitra Chatterjee, Madhabi Mukherjee and Haradhan Bandopadhyay are in their sublime forms in the film. Satyajit Ray's dark theme and extremely earnest framework are the two major highlights of Kapurush. Even though that 'Coward' element seems little udiscovered considering the importance it holds towards the title, the rest of the narrative is nothing short of a Classic Cinematic Experience.
RATING - 8/10*
By - #samthebestest.
Satyajit Ray's burning take on incomplete lovestory. A Classic contrary version to his own Masterpiece Charulata. You know i often say that Indian Cinema can never have a Masterpiece like Casablanca (1942) but we have Charulata (1964). It was Ray's visionary take on a Woman's Love for the other person than her Husband but the person with high ethics doens't fall for it. That reminds me of Casablanca, you know Rick sending off the couple to stay happy in their married life in the legendary climax scene. Though, Ray's Charulata was differen. But for me that's the only thing from India which i can compare to Casablanca and you know it's a big statment. So, Kapurush is contrary to Charulata or should i say it's a male version of it. A by chance meeting rekindles old memories between a screenwriter and his ex-girlfriend, who is by now married to a well-to-do man. Here, we see the woman having those ethics and showing her loyalty. However, her burning heart and pain does not remain hidden and that's what delivers a Classic heartbreaking climax to this short film. In 67 minutes, Kapurush smartly manages to showcase all the required things including past events. It's an achievement for any film with this much short runtime. Remember those Classic love stories of Hollywood from silent era? Kapurush is that for Indian cinema. I know it's too late, i mean 4 decades, yeah but still at last we have something to tell. Soumitra Chatterjee, Madhabi Mukherjee and Haradhan Bandopadhyay are in their sublime forms in the film. Satyajit Ray's dark theme and extremely earnest framework are the two major highlights of Kapurush. Even though that 'Coward' element seems little udiscovered considering the importance it holds towards the title, the rest of the narrative is nothing short of a Classic Cinematic Experience.
RATING - 8/10*
By - #samthebestest.