I think the plot mechanics of this episode are quite fine, as good as almost any other. There is not too much that far out, except for the the Director admitting that Nelson Brenner is someone they've been trying to catch for years, but still somehow he's still in this very sensitive position. The seemingly random bits of news on the car radio over the opening credits providing the essential clue (China pulling out of Olympics) that Columbo uses to break the alibi is a fantastic touch.
The real pleasure of this episode is that it is directed like no other Columbo, not even others directed by Patrick McGoohan. First, the artful use of facial closeups in conversations, often from a slightly low angle, add real heft to the import of the words being spoken. It's used not just between Columbo and Brenner, but elsewhere, like in dialog with Sgt Kramer (the great Bruce Kirby), the amusement park photographer, and others. Next is Columbo's attitude. Here the lieutenant is more forceful and straightforward. A nice touch is the very beginning where he directs the criminalists and coroner to get away from the body so he can inspect it. It's an unusual touch. Then, there's the way he interacts with his suspect. Columbo here is smiling, as usual, but this time his smile is derisive, almost mocking, as if to say, "can you believe this jackass." That's very unique for Columbo.
I think McGoohan created one of the best Columbo episodes here, raising it above standard TV fare for the day. He used the camera in a way that elevates the material above its usual standards, and directed his star to appear more consequential in the story. Nicely done!
How many times have I seen this episode? Countless, This is the first time I ever noticed what I describe in this review. It pays to re-watch!
The real pleasure of this episode is that it is directed like no other Columbo, not even others directed by Patrick McGoohan. First, the artful use of facial closeups in conversations, often from a slightly low angle, add real heft to the import of the words being spoken. It's used not just between Columbo and Brenner, but elsewhere, like in dialog with Sgt Kramer (the great Bruce Kirby), the amusement park photographer, and others. Next is Columbo's attitude. Here the lieutenant is more forceful and straightforward. A nice touch is the very beginning where he directs the criminalists and coroner to get away from the body so he can inspect it. It's an unusual touch. Then, there's the way he interacts with his suspect. Columbo here is smiling, as usual, but this time his smile is derisive, almost mocking, as if to say, "can you believe this jackass." That's very unique for Columbo.
I think McGoohan created one of the best Columbo episodes here, raising it above standard TV fare for the day. He used the camera in a way that elevates the material above its usual standards, and directed his star to appear more consequential in the story. Nicely done!
How many times have I seen this episode? Countless, This is the first time I ever noticed what I describe in this review. It pays to re-watch!