Pukar is one of the better Hindi films of 2000, which is not saying much since there wasn't much interesting work that year. Just as you can expect with Santoshi though, who's known for his gripping, intense films, this one blends action with high drama and towards the end makes it into a thriller of sorts. The story isn't much of a treasure, but the script makes it into an enjoyable movie experience. The romantic portions are played against a greater backdrop of the army. The leading stars, Anil Kapoor and Madhuri Dixit have great chemistry and their interactions are the film's best moments. Actually, it's really interesting that he does not show any romantic interest in her while she does all she can to get him, including sabotage his career in the army in revenge for his rejection. We've seen different portrayals of unrequited love in Hindi films, but this part is really quite refreshing, and it works well for the film. Having said that, something is still missing in the film throughout, and it feels not fully realised and at times even a bit bland despite being watchable all the same. Maybe the entire army track just didn't ring true and took away from the more interesting part which is the story of the two leads.
The acting elevates the film in ways the script does not. As Jaidev, Anil Kapoor delivers a skillful performance full of grit and authenticity. His dedication to this character shows in every frame, with impressive results. This is similarly one of the best performances of Madhuri Dixit. She is always a delight to watch, but in Pukar, she gets a real, complex and grayish character, which gives her enough scope to explore. Her Anjali is a flawed, imperfect woman driven by ego, desire and jealousy, and Dixit shows great strength as a performer. We see her tormented side, her ugly side, her lack of vanity, her regret and feelings of guilt, her growth. A marvelous performance, indeed. Namrata Shirodkar at playing pretty much herself, though she is treated by the film as a mere ornament. A. R. Rahman composes a wonderful soundtrack. The film's story picks up towards the end, and its music and script meet at what for me is the film's highpoint, namely the song "Ek Tu Hi Bharosa", a true gem of a song, with a live appearance by none other than the legendary Lata Mangeshkar, who sings it on stage. Indeed, a great moment before the story is concluded.
The acting elevates the film in ways the script does not. As Jaidev, Anil Kapoor delivers a skillful performance full of grit and authenticity. His dedication to this character shows in every frame, with impressive results. This is similarly one of the best performances of Madhuri Dixit. She is always a delight to watch, but in Pukar, she gets a real, complex and grayish character, which gives her enough scope to explore. Her Anjali is a flawed, imperfect woman driven by ego, desire and jealousy, and Dixit shows great strength as a performer. We see her tormented side, her ugly side, her lack of vanity, her regret and feelings of guilt, her growth. A marvelous performance, indeed. Namrata Shirodkar at playing pretty much herself, though she is treated by the film as a mere ornament. A. R. Rahman composes a wonderful soundtrack. The film's story picks up towards the end, and its music and script meet at what for me is the film's highpoint, namely the song "Ek Tu Hi Bharosa", a true gem of a song, with a live appearance by none other than the legendary Lata Mangeshkar, who sings it on stage. Indeed, a great moment before the story is concluded.