In the 1960-s, American Kenneth Anger got famous with his 'Underground'-movies: a chain of impressions, making a film to be experienced -- and not a film to be understood.
'Underground' is very rare in the Dutch cinema, but with 'Crepuscule' we have an example. Set in the Amsterdam of 2009, well shot in black/white, and with a convincing lead by Nellie Benner -- although she uses quite a lot of nudity to make her point.
'Crépuscule' is French for twilight; the title indicates what this film is about. Its very thin story hardly contributes; its fine music surely makes this film work.
'Underground' is very rare in the Dutch cinema, but with 'Crepuscule' we have an example. Set in the Amsterdam of 2009, well shot in black/white, and with a convincing lead by Nellie Benner -- although she uses quite a lot of nudity to make her point.
'Crépuscule' is French for twilight; the title indicates what this film is about. Its very thin story hardly contributes; its fine music surely makes this film work.