Grim, compelling and not mainstream
21 January 2022
William Tell is a gambler and former serviceman released from prison who sets out to reform a young man seeking help to execute a plan for revenge on a military colonel.

Writer/director Paul Schrader offers a immersive arthouse, character driven drama. It avoids all the glitzy settings, putting the underbelly of gambling on display from the point of view of a flawed, troubled, gifted card-counter with no abode on display.

Oscar Isaac delivers a multilayered method acting performance and commands the screen. Tiffany Haddish does a great turn at acting. Notable is edgy Tye Sheridan. Willem Dafoe screen time is limited but impactful and essential. Robert Levon Been music is completely fitting, like the on location feel adding atmosphere and credence.

Isaac's voice over is utilised well and welcomed like Schrader's haunting telling dream sequences. It's not mainstream viewing and this may be a godsend for some in a flooded market of mediocre, it's not the greatest film ever made but it's gripping and well made in its own right.

Overall, its grim, compelling and has a lot to say about the society, the military and revenge without spoon feeding it to the viewer.
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