Veteran Western film actor William S. Hart was looking for just one more chance to be in a movie. A couple (1915-1916) of the 11 years he appeared in front of the camera, theater owners voted him their biggest money-making star. His schtick was playing the prototype quiet Westerner who dressed plainly. In all of his films his characters went from mostly a bad-behaving gunslinger or ruffian to become the ultimate moralistic hero. But the public wanted flashier cowboys, such as popular Tom Mix, and more action sequences than contained in a typical character-driven Hart film.
His employer, Paramount Pictures, in 1924 elected not to renew his contract, leaving Hart unemployed at age 60. The actor wanted to ride off into the sunset for one last movie. He dug deep into his wallet and produced his final film, one that critics agree was his best one in a relatively long career, December 1925's "Tumbleweeds." Hart hired scriptwriter Hal Evarts to wrap his story around the 1893 Oklahoma land rush and King Baggot to direct.
Hart intended "Tumbleweeds" as his last hurrah with several references within the script that the Old West is gone since the Oklahoma homesteaders were replacing the cowboys he had been portraying on screen. Hart plays the foreman of a big cattle ranch. The United States government during the early 1890s had ordered all large cattle herds to leave the prairie to be replaced by the new settlers who primarily farmed. Likening himself to a tumbleweed, a plant with no roots, he witnesses other herds leaving and says, "Boys, it's the end of the West." Even women can't cox him into settling down as Hart makes the remarkable statement towards the movie's conclusion that "Women ain't reliable-cows are." Carver (Hart) says he's "headed for South America where there's millions of 'em."
Embedded within the high-budgeted $312,000 film, an immense expense in those days for one person to finance, is a specular land rush scene involving almost 1,000 extras, 300 wagons and a number of horses hired to replicate the scene. The 1931 epic "Cimarron," the Academy Awards Best Picture winner that year, copied Hart's chaotic stampede of homesteaders racing to secure the best land they could stake their claim on.
Hart was able to contract United Artists to distribute "Tumbleweeds." But the actor was disappointed, despite the rave reviews the movie was receiving, because the studio didn't place the film into the larger city venues. He sued UA for such a lack of distribution, but settled out of court in 1940. A year before that, on the heels of John Ford's 1938 "Stagecoach," which rejuvenated the Western genre, Hart was asked to provide a prologue to the re-issuance of "Tumbleweeds" with a soundtrack. The 75-year-old retired actor, now a ranch owner in Newhall, California, gave an eight-minute introduction, with his last words, "The saddle is empty, the boys up ahead are calling, they're waiting for you and me to help drive this last great round-up into eternity." Hart rode into his final sunset in June 1946 at 81 years of age at his ranch. The silent Western movie star is buried near his birthplace in Brooklyn, N. Y.'s Green-Wood Cemetery.
His employer, Paramount Pictures, in 1924 elected not to renew his contract, leaving Hart unemployed at age 60. The actor wanted to ride off into the sunset for one last movie. He dug deep into his wallet and produced his final film, one that critics agree was his best one in a relatively long career, December 1925's "Tumbleweeds." Hart hired scriptwriter Hal Evarts to wrap his story around the 1893 Oklahoma land rush and King Baggot to direct.
Hart intended "Tumbleweeds" as his last hurrah with several references within the script that the Old West is gone since the Oklahoma homesteaders were replacing the cowboys he had been portraying on screen. Hart plays the foreman of a big cattle ranch. The United States government during the early 1890s had ordered all large cattle herds to leave the prairie to be replaced by the new settlers who primarily farmed. Likening himself to a tumbleweed, a plant with no roots, he witnesses other herds leaving and says, "Boys, it's the end of the West." Even women can't cox him into settling down as Hart makes the remarkable statement towards the movie's conclusion that "Women ain't reliable-cows are." Carver (Hart) says he's "headed for South America where there's millions of 'em."
Embedded within the high-budgeted $312,000 film, an immense expense in those days for one person to finance, is a specular land rush scene involving almost 1,000 extras, 300 wagons and a number of horses hired to replicate the scene. The 1931 epic "Cimarron," the Academy Awards Best Picture winner that year, copied Hart's chaotic stampede of homesteaders racing to secure the best land they could stake their claim on.
Hart was able to contract United Artists to distribute "Tumbleweeds." But the actor was disappointed, despite the rave reviews the movie was receiving, because the studio didn't place the film into the larger city venues. He sued UA for such a lack of distribution, but settled out of court in 1940. A year before that, on the heels of John Ford's 1938 "Stagecoach," which rejuvenated the Western genre, Hart was asked to provide a prologue to the re-issuance of "Tumbleweeds" with a soundtrack. The 75-year-old retired actor, now a ranch owner in Newhall, California, gave an eight-minute introduction, with his last words, "The saddle is empty, the boys up ahead are calling, they're waiting for you and me to help drive this last great round-up into eternity." Hart rode into his final sunset in June 1946 at 81 years of age at his ranch. The silent Western movie star is buried near his birthplace in Brooklyn, N. Y.'s Green-Wood Cemetery.