This 'little' film very much has the feeling of a stage play. There is really only one set (the tailor Leonard's shop) in which everything happens. To go along with that, it has an almost claustrophobic atmosphere as the different Chicago gangster characters come and go, threaten Leonard and his receptionist Mable (nicely done by Zoey Deutch), argue, leave again. Leonard basically has to outwit them at every twist and turn (and there are lots of twists and turns), and that is about it for the plot. Add to that the fact that no one is entirely who they seem and we get a fascinating hour and a half of intense 'locked room' drama.
I wouldn't quite call this minimalist ("Wating for Godot" would classify as minimalist in my books). It's continually absorbing and yet built out of nothing but carefully rendered dialog. Mark Rylance is as always superb, he somehow builds a character out of measured dialog and changes in expression that might not be anything more than a raised eyebrow or a tightening of the mouth. Amazing to watch.
I first noticed Zoey Deutch in Before I Fall (2017) in which she was about the only standout. Nice to see that bigger and better roles are coming her way.
Saying anything more at all would give away too much since The Outfit is, in part, a mystery as well as suspense drama. Just go see it!
I wouldn't quite call this minimalist ("Wating for Godot" would classify as minimalist in my books). It's continually absorbing and yet built out of nothing but carefully rendered dialog. Mark Rylance is as always superb, he somehow builds a character out of measured dialog and changes in expression that might not be anything more than a raised eyebrow or a tightening of the mouth. Amazing to watch.
I first noticed Zoey Deutch in Before I Fall (2017) in which she was about the only standout. Nice to see that bigger and better roles are coming her way.
Saying anything more at all would give away too much since The Outfit is, in part, a mystery as well as suspense drama. Just go see it!