In Boston, Massachusetts, maid Lizzie (Rebecca Koon) is abducted by two bumbling kidnappers after they mistake her for the wife of wealthy businessman Mr. Flint (Dean Jones). In nearby Edgefield, Patti Randall (Christina Ricci) is an asocial outcast who dresses in black and only ever hangs out with her cat D. C. who prowls the neighborhood. When D. C. returns wearing a wristwatch that looks similar to the one Lizzie is shown wearing in the newspaper that has "HEll", scratched into it, Patti becomes convinced D. C. knows where Lizzie and the kidnappers are and the watch is actually saying "Help". While Patti's mother Judy (Bess Armstrong) writes this off as a wild flight of fantasy, Patti undeterred takes the watch to the FBI after scratching the "P" into the wrist watch to be taken more seriously. Initially Patti's story is written off by the Bureau as a joke and they assign Zeke Kelso (Doug E. Doug) to interview her as he's considered a joke despite his father's reputation. Eventually Kelso is convinced that Patti's story may be true and he investigates the lead by tailing D. C.
That Darn Cat is a remake of the 1965 film of the name which was itself adapted from the novel Undercover Cat written by The Gordons who also co-wrote the film adaptation. During the 90s Disney had experienced some success remaking some of their films such as The Incredible Journey with Homeward Bound: The Incredible Journey and most especially 1996's 101 Dalmatians which despite critical reception being mixed became the 6th highest grossing film of that year. Given the success of animal centric remakes it stands to reason that Disney would remake a few other prior successes bringing us to That Darn Cat written now by Scott Alexander and Larry Karaszewski whose filmography is massively inconsistent with the likes of Ed Wood, The People vs. Larry Flynt, 1408, and Big Eyes, but also duds such as Problem Child 1 and 2, Screwed, and Agent Cody Banks. The movie is directed by Scottish director Bob Spiers who has mainly worked in British TV including Fawlty Towers and Absolutely Fabulous but is more known internationally for helming the critically panned vanity project Spice World at the height of the Spice Girls fame. That Darn Cat takes the original charm of the 1965 film and replaces it with unfiltered annoyance and noise with characters exaggerated to the nth degree and every gag oversold with subtlety of a battering ram.
Unlike the original movie which was established as a howcatchem with Dan and Iggy established as the antagonists early on and both given very threatening performances (especially for a Disney production) this 1997 film reframes itself as a whodunit which in principle isn't a bad move as it gives a different experience from the original, but the movie makes it way too easy to know who the kidnappers are even when they're using the voice synthesizers that don't do a good job masking the distinctive voice of a noted character actor. Unlike the relatively grounded approach taken by the first film where the case was treated very seriously with certain scenes filmed as though they were from an actual police procedural or film-noir, every actor is written and directed to be as over the top, slapstick, and muggy as possible with pretty much no one taking this seriously which is a major point against the comedy because the key thing that made the '65 original funny was the humans were treating all of this with a sense of urgency while deal with an unpredictable cat as their only lead. Christina Ricci does a distilled version of her role from Casper only with her dialogue filled with cynical quips that are unfunny and pretty grating (I don't blame Ricci for this, I blame the writers and directors) and Doug E. Doug is given a very humiliating role as Zeke Kelson who unlike the straight laced agent from the original is now rewritten as a barely competent boob who can't even identify a cherry stem. Most of the supporting cast making up the Edgefield residents are equally grating with the exception of maybe Dean Jones as Flint and Michael McKean as Peter Randall who're the only ones who exhibit any likability in this film. And then there's the cat itself which is nowhere near as impressive as the original cat from the '65 film with the cat never looking all that engaged and when it does re-enact a scene that was done in the '65 film it's noticeably more slipshod with the cat's screentime greatly reduced in comparison to the original film.
That Darn Cat is an awful movie. With its assortment of TV actors chewing scenery, awkward humor, and hackneyed poorly timed slapstick, this remake of That Darn Cat felt less like the era of 60s Disney and more like the dump years of the 70s where Disney was producing dreck like Superdad and Million Dollar Duck. Just watch the original movie and pretend this doesn't exist.
That Darn Cat is a remake of the 1965 film of the name which was itself adapted from the novel Undercover Cat written by The Gordons who also co-wrote the film adaptation. During the 90s Disney had experienced some success remaking some of their films such as The Incredible Journey with Homeward Bound: The Incredible Journey and most especially 1996's 101 Dalmatians which despite critical reception being mixed became the 6th highest grossing film of that year. Given the success of animal centric remakes it stands to reason that Disney would remake a few other prior successes bringing us to That Darn Cat written now by Scott Alexander and Larry Karaszewski whose filmography is massively inconsistent with the likes of Ed Wood, The People vs. Larry Flynt, 1408, and Big Eyes, but also duds such as Problem Child 1 and 2, Screwed, and Agent Cody Banks. The movie is directed by Scottish director Bob Spiers who has mainly worked in British TV including Fawlty Towers and Absolutely Fabulous but is more known internationally for helming the critically panned vanity project Spice World at the height of the Spice Girls fame. That Darn Cat takes the original charm of the 1965 film and replaces it with unfiltered annoyance and noise with characters exaggerated to the nth degree and every gag oversold with subtlety of a battering ram.
Unlike the original movie which was established as a howcatchem with Dan and Iggy established as the antagonists early on and both given very threatening performances (especially for a Disney production) this 1997 film reframes itself as a whodunit which in principle isn't a bad move as it gives a different experience from the original, but the movie makes it way too easy to know who the kidnappers are even when they're using the voice synthesizers that don't do a good job masking the distinctive voice of a noted character actor. Unlike the relatively grounded approach taken by the first film where the case was treated very seriously with certain scenes filmed as though they were from an actual police procedural or film-noir, every actor is written and directed to be as over the top, slapstick, and muggy as possible with pretty much no one taking this seriously which is a major point against the comedy because the key thing that made the '65 original funny was the humans were treating all of this with a sense of urgency while deal with an unpredictable cat as their only lead. Christina Ricci does a distilled version of her role from Casper only with her dialogue filled with cynical quips that are unfunny and pretty grating (I don't blame Ricci for this, I blame the writers and directors) and Doug E. Doug is given a very humiliating role as Zeke Kelson who unlike the straight laced agent from the original is now rewritten as a barely competent boob who can't even identify a cherry stem. Most of the supporting cast making up the Edgefield residents are equally grating with the exception of maybe Dean Jones as Flint and Michael McKean as Peter Randall who're the only ones who exhibit any likability in this film. And then there's the cat itself which is nowhere near as impressive as the original cat from the '65 film with the cat never looking all that engaged and when it does re-enact a scene that was done in the '65 film it's noticeably more slipshod with the cat's screentime greatly reduced in comparison to the original film.
That Darn Cat is an awful movie. With its assortment of TV actors chewing scenery, awkward humor, and hackneyed poorly timed slapstick, this remake of That Darn Cat felt less like the era of 60s Disney and more like the dump years of the 70s where Disney was producing dreck like Superdad and Million Dollar Duck. Just watch the original movie and pretend this doesn't exist.