Darlings tackles the sadly ever relevant issue of domestic abuse, and it does so through the main character of a wonderful young lady who seems to have developed a battered wife's syndrome. She accepts her husband's pleas and constant promises to alter his behavior and quit his drinking problem, but he soon goes back to his old abusive ways. One would think this is going to be a particularly difficult watch considering the serious and dark subject matter, but Darlings is very much a light and enjoyable film which cares to incorporate elements of comedy, even of comedy of errors, and the seriousness of the proceedings is consistently infused with nicely etched out black humour.
The film falls into the category of many Indian films made today, which focus on simple middle-class and lower-middle-class families, the common people whose socio-economic status often affects their choices and circumstances. There is growing awareness in recent Hindi film of the importance to give voice to the voiceless and shed light on the lives of those less privileged. And it is always done with love and respect to the Indian culture, and like in many recent films, like Mimi, this film is beautifully shot, and the residence of the couple and the neighbourhood in general looks beautifully authentic, providing a nice cultural glimpse into communities which were often hidden from the screens.
This comes to show how the Indian masses have matured. If mainstream masala was what moviegoers were thought to love more than anything, today we see filmmakers who actually respect their audiences, do not insult their intelligence by spoon-feeding them, and Darlings is one such example. Is it a perfect film? Not really, and it's not a particularly great film either, but it's pure entertainment with educative value and appreciable efforts to ease the uneasy situations. The movie has a wonderful soundtrack too. In many ways, many of the characters in the film could gain some sympathy from the viewers, because everyone is a victim of their circumstances.
The film stars three actors in the lead parts, and all of them do exceedingly well. Alia Bhatt makes some smart choices, and she does a very good job here in this challenging and interesting role. In the role of the mother, you get the extraordinary Shefali Shah, whose recent popularity is another example of the growing maturity of Indian cinema and filmmakers' respect for audiences. Shah gets a role which could hardly be called supporting because she is very much a parallel lead here. This wouldn't have been possible a decade ago, but now that it happens, it's so great especially because she happens to be one of India's finest actresses. She is wonderful here as she is in almost everything she does.
The third angle of the cast is Vijay Varma, and this talented actor gives what I consider the finest performance in the film. His performance is subtle, realistic, professional and multi-dimensional. Sadly, the role itself is actually the film's weakest link because from being very much a real person he turns into this ultra-villainous, almost caricaturish character which takes away both from his impressive acting as well as the film's credibility. Darlings is a highly twisted tale but it ends on a rather predictable note at last since one would expect a more daring outcome which probably wouldn't be very well accepted in a mainstream film. Still, it answers some interesting questions and allows for a well-awaited catharsis.
The film falls into the category of many Indian films made today, which focus on simple middle-class and lower-middle-class families, the common people whose socio-economic status often affects their choices and circumstances. There is growing awareness in recent Hindi film of the importance to give voice to the voiceless and shed light on the lives of those less privileged. And it is always done with love and respect to the Indian culture, and like in many recent films, like Mimi, this film is beautifully shot, and the residence of the couple and the neighbourhood in general looks beautifully authentic, providing a nice cultural glimpse into communities which were often hidden from the screens.
This comes to show how the Indian masses have matured. If mainstream masala was what moviegoers were thought to love more than anything, today we see filmmakers who actually respect their audiences, do not insult their intelligence by spoon-feeding them, and Darlings is one such example. Is it a perfect film? Not really, and it's not a particularly great film either, but it's pure entertainment with educative value and appreciable efforts to ease the uneasy situations. The movie has a wonderful soundtrack too. In many ways, many of the characters in the film could gain some sympathy from the viewers, because everyone is a victim of their circumstances.
The film stars three actors in the lead parts, and all of them do exceedingly well. Alia Bhatt makes some smart choices, and she does a very good job here in this challenging and interesting role. In the role of the mother, you get the extraordinary Shefali Shah, whose recent popularity is another example of the growing maturity of Indian cinema and filmmakers' respect for audiences. Shah gets a role which could hardly be called supporting because she is very much a parallel lead here. This wouldn't have been possible a decade ago, but now that it happens, it's so great especially because she happens to be one of India's finest actresses. She is wonderful here as she is in almost everything she does.
The third angle of the cast is Vijay Varma, and this talented actor gives what I consider the finest performance in the film. His performance is subtle, realistic, professional and multi-dimensional. Sadly, the role itself is actually the film's weakest link because from being very much a real person he turns into this ultra-villainous, almost caricaturish character which takes away both from his impressive acting as well as the film's credibility. Darlings is a highly twisted tale but it ends on a rather predictable note at last since one would expect a more daring outcome which probably wouldn't be very well accepted in a mainstream film. Still, it answers some interesting questions and allows for a well-awaited catharsis.