Henry Sellick's first stop-motion animated film since 2009's beloved Coraline, Wendell & Wild melds beautiful artistry and a very funny script co-written by Jordan Peele.
The plot follows Kat, a young orphan shipped off to a private Catholic school for troubled girls, struggling with guilt over her perceived responsibility for her parents' tragic deaths. She also happens to be a Hellmaiden, able to summon the roguish demon brothers Wendell & Wild (played hilariously and to pitch perfection by comedy duo Key & Peele). They arrive in the land of the living to try and set up their lifelong dream project of running their own demonic funfair. Much chaos ensues.
I went in a bit blind on the story and wasn't sure what to expect, but Wendell & Wild might be the best stop motion film made since Coraline, or possibly just barely edging past it. Kat is a terrific protagonist, bucking trends and delivering more personality than all of LAIKA animation's somewhat milquetoast leads put together. There's a lot of artistic inventiveness on display, and the script is (for the most part) incredibly strong.
The film has only a couple downsides, which were a bit baffling considering the quality of the rest. Some of the scenes were a bit muddled, with events only making sense long after the fact (a particular sequence with an octopus and a glowing drawer left me scratching my head). The final act, while lots of fun, also feels like it's hastily wrapping up as much as it can in too short a time, with the credits rolling only moments after a bombastic finale - when it really, really could have used a couple more minutes to wind down with a nice epilogue.
This is a film that giddily enjoys keeping way more plates in the air than most films can get away with, and it results in a somewhat messy structure that makes it hard to tell who the main antagonist even is at any given moment, which seems to shift around wildly from scene to scene, from a gigantic Satan-like figure, to a pair of corrupt businessmen, to the titular brothers themselves, to a personal struggle against inner demons - before finally picking a clear lane in the last act. You just never know what direction the story is going to zig and zag to next, which is ultimately more of a strength than a weakness. Wendell & Wild is just as much a supernatural mystery film as it is an adventure/comedy, so viewers should be prepared to do a bit of sleuthing and not have anything spoon-fed.
This is not exactly a film for young kids, sporting heavy themes and a few dark moments, but it isn't that much scarier than Laika films like ParaNorman or Kubo and the Two Strings, only barely earning its PG-13 rating. Any kid that can handle The Nightmare Before Christmas (also directed by Sellick) should be OK with this.
Even with a few nitpicks holding it back, I give this film an easy 8/10. If you're an animation fan, you owe it to yourself to check this out... it's one of the most delightful and creative films in the entire stop-motion medium.
The plot follows Kat, a young orphan shipped off to a private Catholic school for troubled girls, struggling with guilt over her perceived responsibility for her parents' tragic deaths. She also happens to be a Hellmaiden, able to summon the roguish demon brothers Wendell & Wild (played hilariously and to pitch perfection by comedy duo Key & Peele). They arrive in the land of the living to try and set up their lifelong dream project of running their own demonic funfair. Much chaos ensues.
I went in a bit blind on the story and wasn't sure what to expect, but Wendell & Wild might be the best stop motion film made since Coraline, or possibly just barely edging past it. Kat is a terrific protagonist, bucking trends and delivering more personality than all of LAIKA animation's somewhat milquetoast leads put together. There's a lot of artistic inventiveness on display, and the script is (for the most part) incredibly strong.
The film has only a couple downsides, which were a bit baffling considering the quality of the rest. Some of the scenes were a bit muddled, with events only making sense long after the fact (a particular sequence with an octopus and a glowing drawer left me scratching my head). The final act, while lots of fun, also feels like it's hastily wrapping up as much as it can in too short a time, with the credits rolling only moments after a bombastic finale - when it really, really could have used a couple more minutes to wind down with a nice epilogue.
This is a film that giddily enjoys keeping way more plates in the air than most films can get away with, and it results in a somewhat messy structure that makes it hard to tell who the main antagonist even is at any given moment, which seems to shift around wildly from scene to scene, from a gigantic Satan-like figure, to a pair of corrupt businessmen, to the titular brothers themselves, to a personal struggle against inner demons - before finally picking a clear lane in the last act. You just never know what direction the story is going to zig and zag to next, which is ultimately more of a strength than a weakness. Wendell & Wild is just as much a supernatural mystery film as it is an adventure/comedy, so viewers should be prepared to do a bit of sleuthing and not have anything spoon-fed.
This is not exactly a film for young kids, sporting heavy themes and a few dark moments, but it isn't that much scarier than Laika films like ParaNorman or Kubo and the Two Strings, only barely earning its PG-13 rating. Any kid that can handle The Nightmare Before Christmas (also directed by Sellick) should be OK with this.
Even with a few nitpicks holding it back, I give this film an easy 8/10. If you're an animation fan, you owe it to yourself to check this out... it's one of the most delightful and creative films in the entire stop-motion medium.